Category: Glassworks Book Review

Review: Echo Bay

4/1/2019

Transformation and Letting Go in the Las Vegas Valley
Review: Echo Bay

Kaitlyn Gaffney

Jennifer Battisti
Poetry
Tolsun Books, pp. 48
Cost: $10.00 (paperback)

In Jennifer Battisti’s first chapbook, Echo Bay, we meet a multifaceted and singularly articulate girl and woman, raised on the fringes of the Las Vegas Valley, navigating the complexities of memory with moving poetic detail. The speaker is at once enrapturing and unabashed, exploring adolescence, marriage, motherhood, and grief with both precision and universality. Through Battisti’s unique perspective, we examine the shaded, much less glamorous fringes of the Las Vegas Valley, just as we are presented with the much less idealized aspects of motherhood and marriage. Battisti’s profound work fosters an intensity of emotion which ranges from despair to joy to acceptance as the speaker searches for the freedom of letting go.

She waits...to scour out the marks--
her own choices, the only ones
she cannot abrade,
while longing to belong
to only the deep
wilderness of autonomy.
-Jennifer Battisti, “Kitchen Sponge”

Review: Permanent for Now

3/1/2019

Chasing Permanent, Chasing Change
Review: Permanent for Now

Myriah Stubee

Jeffrey S. Markovitz
Fiction
Unsolicited Press, pp. 129
Cost: $20.99 (paperback)

The first chapter of Jeffery S. Markovitz’s new novel contains just two words: He died.

This short statement is startling, but not altogether surprising for a story that centers around the events of World War II-era Germany, when death came for millions. In two short words, Markovitz not only sets the tone for the rest of the novel, but also lays the groundwork for a well-crafted twist at the end. The words reverberate as we are introduced to each new character, wondering, Is it him? Is he the one who died?

Review: SPINE

11/1/2018

The Pain of Living
Review: SPINE

Juliana Crescenzo

Sarah Caulfield
Poetry
Headmistress Press, pp. 30
Cost: $10.00

Sarah Caulfield's words dig beneath our flesh and go straight to the bone in her collection of poetry, SPINE (2017). Caulfield’s first book beautifully weaves together powerful images of blood and bone, plus themes of religion, chronic illness, and guilt, pulling on the reader's heartstrings and commanding empathy. The repeated themes make it clear that these topics are very important to Caulfield, and are ones often swept under the rug instead of spoken about in society.

The collection was titled after it was pointed out to Caulfield that “spine” is the most used word throughout the entire work. The spine is the center of the body, and when it hurts, it becomes hard to operate under the expectations of society. Similarly, the spine plays a focal role in the collection, as Caulfield reinforces within her poem “To the Girl I Was” when she writes, “My spine is made of beach glass. It will withstand.” Caulfield’s spine is strong, readers will agree, after reading through her collection and understanding the narrator’s struggles.

Review: Don't Call Us Dead

6/1/2018

The Other Side of the American Dream
Review: Don't Call Us Dead

Mikaela Langdon

Danez Smith
Poetry
Graywolf Press
Cost: $16.00

One aspect that makes poetry such a powerful form is how it is often used to tackle pertinent and even controversial topics. Race and sexuality are two timely issues, and Danez Smith tackles both of them in his book of poetry Don’t Call Us Dead. As a gay, black man in America, Smith has a unique perspective that shapes much of what he writes. In some ways, his poems speak to a very particular demographic and yet, they ring true for larger audiences.

Review: The Expanse Between

4/1/2018

The Fiction of Privacy
Review: The Expanse Between

Joe Magaletta

Lee L. Krecklow
Fiction
Winter Goose Publishing
Paperback, $13.99

In Lee L. Krecklow’s debut novel The Expanse Between, he delivers a page-turner that will leave most readers unsure of what they would do by the end. It does an interesting job of introducing a commentary on the growing Internet, screen-obsessed culture. It takes place sometime in the mid-2000’s before this craze had really taken off, and in doing so shows that perhaps the human condition always had the impulses that the technology of today is making easier to appease.

Review: Incarceration Nations

2/1/2018

A Global Look at the Injustice of Justice
Review: Incarceration Nations

Kelly Walz

Baz Dreisinger
Nonfiction
Other Press, pp. 336
Cost $16.95

Baz Dreisinger has crossed oceans and boundaries—both figuratively and literally—in her new book, Incarceration Nations, which provides a first-hand account of Dreisinger’s two-year quest to penetrate the walls of some of the most notorious correctional facilities around the globe. Dreisinger maintains a dual purpose in her pilgrimage and her account. She hopes to inject small doses of hope and creativity into the inmates she encounters, as well as provide an account to the world that will foster awareness and spur a cause-to-action mentality for the prison crisis that exists in today’s world. Dreisinger’s work seems to accomplish both purposes, as the impact that she has made in the lives of the people who reside in “The Houses of the Living Dead” is evident. The astounding facts and accounts of the inmates’ lives that are carefully crafted into this book have and continue to invoke necessary changes in the global prison system.

Review: Hoopty Time Machines

11/1/2017

A Jump Into Reality
Review: Hoopty Time Machines

Jordan Moslowski

Christopher DeWan
Fiction
Atticus Books, pp 133
Paperback, $14.95 US

Every child hears “Once upon a time” and immediately knows that “happily ever after” is on its way. Snow White is woken up with Prince Charming’s kiss. Ariel gets her legs and her man. Cinderella is reunited with her precious glass slipper and her true love. But what happens when you wander off into your own once upon a time, only to find that Cinderella’s other shoe has dropped on your head? Suddenly you’re sitting on the commuter train, heading into another Monday of sucking down crappy coffee in that tiny office it took you five years of making copies and running office lunch orders to get promoted to.

Now you’re thinking happily ever after might just be for fairy tales after all.

Review: A Dark Ordinary

9/1/2017

Seen, But Not Heard
Review: A Dark Ordinary

Myriah Stubee

Susanne Dyckman
Poetry
Furniture Press Books, pp.74
Cost: $13.99

A Dark Ordinary has a combination of visually intriguing poems, reminiscent of e.e. cummings, and poignant prose poems that grasp your imagination. Using vivid imagery, unusual description, and vibrant language, Dyckman successfully paints a portrait of the sad, bleak, “dark ordinary” lives of child laborers in early 1900s America.

Review: Glass Harvest

8/1/2017

A Celebration of Chaos
Review: Glass Harvest

Rachel Carly

Amie Whittemore
Poetry
Autumn House Press, pp. 78
Cost: $17.95

In her debut poetry collection Glass Harvest (2016) Amie Whittemore unites all aspects of the universe: family, nature, farmland, music, and even the mythical and mysterious. It is full of surprises, moments of elation followed by moments of poignant grief, dark imagery juxtaposed with snapshots of beautiful, rural landscapes. With her poems, Whittemore celebrates the offbeat and unconventional, resulting in a collection of poems that mirror the chaos and unpredictability of family, both in form and content.

Review: Songs for a River

5/1/2017

The Beauty of Nature and the Dullness of Man

Review: Songs for a River

Rachel Saltzman

Jerry McGahan
Fiction/Media - Stories
Knut House Press: pp. 241
Cost: $35.00 (full color edition)
$15.00 (black and white edition)

Songs for a River, McGahan’s third book, combines eloquent descriptions of nature, vivid artistic philosophies, and serene paintings of grazing buffalo in mountainous landscapes with a complicated romance that spans almost the entire novel. There is a Zen-like quality that carries over from page to page, inviting the reader to see art, nature, and relationships as more than just ordinary aspects of one’s life. But between the lovely portraits of wild North-West America, McGahan addresses the similarities between art, humanity, and the spirit of nature; although our pride as humans is to live and govern above the rest of the animal kingdom through reason and emotions, at our base nature we rely on the same instinctual tendencies as our hoofed and feathery counterparts. And even though we might consider ourselves beings of intellectual and artistic ability, it is difficult to push aside the lingering traces of animal ancestry along with the need to break free from societal restraints.