Stephen C. Behrendt
Shechem Press, pp. 109
Hardback cost: $24.95
A Morbid Nature
Stephen C. Behrendt
Shechem Press, pp. 109
Hardback cost: $24.95
The very essence of the word refraction takes its basis from the physical world; referring to when a ray of light is diverted from one path and begins to traverse another. In his new poetry collection, Refractions, Stephen C. Behrendt uses the term as a focal point for his collection to take an alternate look at the morbid aspects of humanity. Behrendt creates a portrait of love, nature, and what it means to be human through an epic scope, looking at life not only through the viewpoint of an animal, but through the viewpoint of his own life.
The Funny Truths About Human Nature
Review: Walking In On People
Able Muse Press, pp. 80
Melissa Balmain’s book Walking in on People transfixes readers with the humor of her and her family’s everyday life. The poet's simple language illustrates a play on observation, thought, and vantage point as she tackles marriage, raising children, and pop culture. Delivering lines that are thought provoking and eloquent, she simultaneously keeps the poetry genuine with her direct language. Balmain is boldly “walking in on people” where many choose not to go. This collection shouldn’t, however, be seen as spying, but rather as a different take on the renewal of faith in everyday human nature.
The poems in Balmain’s collection have varied subject matter and are intended to be humorous. Readers of more than one personality type should be able to at least smile after entering this poet's world. Because some of the entries are so short, every word has to mean something…and each one does. Walking in on People is constructed in such a way that the poems flow easily from one to the next. It also helps that they are divided into sections so the reader can skip around to the subjects they find more interesting.
Many lines can be very funny and innocent at the same time. One of the better examples comes from the titular poem “Walking in on People,” which reads, “I witness at a conference enjambed / of friends rebounding from a recent breakup / and once, two mimes in nothing but their makeup.” Balmain manages to get across a serious point while keeping the words light so the reader and the mood do not become overwhelming. These lines obviously are talking not only about a breakup from the outset, but also about two friends reacting to their perceived hardship.
Review: When I Was Straight
When I Was Straight
Julie Marie Wade
A Midsummer Night’s Press, pp. 48
Julie Marie Wade’s chapbook When I Was Straight, a title that may lead a reader to expect poems about the transition between sexual identities, is actually largely heterosexually focused. Wade speaks openly about her experiences with men at the start of her sexual awakening, comparing her role as a woman to the ideal feminine condition society preaches, and in contrast to the feelings she had for other women in her life, even before she acted on them. Instead of appealing only to lesbians, the content of Wade’s poetry is extremely relatable for any woman who might not be entirely comfortable in the gender roles society has assigned to her or who is questioning her sexuality.
Feminism is not brought up explicitly, but it is an underlying thread that runs throughout the entire work, lending intensity to her emotions and the words she chooses to express herself. The old-fashioned way of looking at how a woman relates to a man still lingers, although women are doing their best to destroy the sad excuses for the lack of progress, as displayed in the helplessness shown in Wade’s poem “There Was a Man in the Moon”: “The woman did not know how to work/the lawnmower, & the man did not know/how to work the microwave.” This presentation of a woman’s skills in the home versus a man’s know-how may have had a seed of truth in it once upon a time, but now women are freer to learn everything they want about the world. Women are also allowed to pursue careers and hobbies rather than just getting married and having children. Wade’s poem “It Was a Shame” brings up what girls are still not taught—how to be a sexual woman, like Wade was while figuring out her sexuality: “It was a shame. It was a phase. / It was a secret. / I wanted every man I met. / I courted danger on the dance floor.” Even before she was thinking about engaging another young lady in bedroom activities, Wade’s perceived promiscuous nature was looked down upon by society in general as unseemly. Girls going through puberty and experiencing hormones and sexual attraction for the first time are understandably confused about what is happening to their bodies and minds during this time and why they want new things, and they must be taught the truth in order to stay healthy.
Open the pages as a stranger and emerge a well-versed friend in Diana Whitney’s debut book of poetry Wanting It. This deeply personal collection of poems invites readers to explore feelings of regret, love, confusion, and that inexplicable longing each of us feels when our hearts aren’t ready to admit their true desires. Whitney brings you along on her journey of self-realization, reflecting on the movement from herself as she once was to the woman she always wanted to be through beautiful imagery and clever metaphor.
More than a mere assortment of poems, this book reads more like a memoir exploring such issues as gender roles and self-identity. Divided into four sections, each speaks to a different time in the author’s life and the inner struggles she faces at each milestone. “Watched Pot,” the first of these sections, details the author’s life as a free-spirited young woman exploring her sexuality and what it means to be a member of the female gender. The honesty in her revelations is at times harrowing as it reaches into the hearts of her readers to establish a connection they may have never realized existed. She details her changing definition of feminism as one who freely gives her body away to “city mouse and country mouse” (Peckerville) alike to her realization that there is more to being a woman than entertaining the male gaze. This changing definition has a push and pull effect on the reader, causing them to fluctuate along with the author. Whitney uses the nature surrounding her farm town as a means to communicate her confusion. The readers feel the author’s confusion about her own understanding of what it means to be a woman through her inability to subscribe to one definition of feminism and womanhood, just as the nature surrounding her is unable to subscribe to just one season.
book reviews by glassworks editorial staff