“There are two things that happen when someone is trying to decide [...] where they are going to put your otherness,” Marra B. Gad writes in her new book The Color of Love. “For some, there is a blankness in the eyes that takes over, as if they are lost in thought,” but for others, “there is an immediate narrowing, a sharpness that engages. And it is because they don’t need to think.” For Marra, these two reactions encompassed much of her world. In the prologue, Marra describes her background as a mixed Jewish woman, half white and half black, who was adopted by a Jewish family in 1970. To Marra, the labels she identifies with don’t matter, shouldn’t matter, yet, “For many, identity is literally a black-and-white matter.” Something that is, or isn’t.
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 Finding Sanctity in Suffering Review: Sacred Groves: Or, How a Cemetery Saved My Soul Mickey Bratton Kathleen Davies Nonfiction: Memoir Bedazzled Ink Publishing, pp. 262 Cost: $16.95 In her memoir Sacred Groves: Or, How a Cemetery Saved My Soul, Kathleen Davies examines the concept of identity through the lens of a novice female professor. Through her experiences as an outcast and stepping into new territories, Davies finds her purpose in life—ironically in a Victorian graveyard. The cemetery magically holds parallel to her internal battles in ways that are enlightening and serve as a heaven on earth in a world full of uncomfortable encounters. Not only does her muse scream at her, surrounded by mesmerizing architectural beauties in nature, but she has a self-awakening among her observations. Told with poems, witty snippets from her journey, and photographs of headstones and mausoleums taken with her own camera, Davies breathes life into the inanimate statues and lifeless tombs, making the local graveyard her “feminine space,” almost like a garden. By describing such a serene place using textures and voiced appreciations, Davies not only provokes imagination for herself, but also for the reader. She remarkably navigates through the unknown and speaks her truth with such vulnerability, revealing that through suffering, humans often find hidden truths.
 Wilderness and a Dissolution of Boundary Review: A Wilder Time Joe Gramigna William Glassley Nonfiction Bellevue Literary Press, pp. 224 Cost: $18.00  Alan Watts “You didn’t come into this world. You came out of it, like a wave from the ocean. You are not a stranger here.” This Alan Watts quote prefaces William Glassley’s nonfiction book A Wilder Time.
Watts was a 20th century Buddhist and spiritual lecturer who talked about the non-existence of self and the necessity of a return to nature in order to dissolve artificial, man-made divisions. Glassley, a geologist, takes his own Wattsian spiritual journey into the Greenland wilderness. Although Glassley’s scientific background comes across in his writing, it doesn’t outshine his poetic prose that captures the pristine, esoteric setting of an untouched land.  Review: The Shape of A Hundred Hips Ann Caputo Patricia Cumbie Memoir Bedazzled Ink Publishing, pp. 226 Cost: $14.95 (paperback) In this current climate of the #MeToo movement, women across the globe are fighting back against sexual harassment and assault by pulling back the curtain of shame, stepping out of the shadows, and sharing their personal stories. Author Patricia “Pat” Cumbie bravely adds her voice to this critical discourse with her memoir, The Shape of a Hundred Hips.
 Community: In Sickness and In Health Review: The Fevers of Reason by Rachel Barton Gerald Weissmann Nonfiction essays Bellevue Literary Press, pp. 272 Cost: $19.99 As I approached The Fevers of Reason, I did so with a foot in each river of influence—or rather, a leg in one and a toe in the other. Weissmann’s essays discuss the intersection of various issues within medicine and popular culture. As a student of literature, I have often written extensive essays and participated in lengthy discussions of multiple works, like Arrowsmith and Sherlock Holmes,that Weissmann includes. Until recently, my knowledge of science and medicine has been rather superficial—me as a nervous patient in the waiting room. As my study of literature, guided by Elaine Scarry and Rita Charon, has begun to dip into the interaction between literature and medicine I’ve become more confident about the relationship between the two. Wearing my budding knowledge of the relatively young field like swimmies, I jumped right in to Weissmann’s collection and found a rich layering of past, present, science, and literature to present diverse takes on the issue at hand.
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