Imagine the sun setting in a not-so bustling Rome—a glass of Limóncello and fresh risotto in front of you. Your table is small with intricate iron wrought detail, and the world is quiet. There’s a slight summer breeze and a whispering guitar, maybe two, in the background. You can almost hear each wish as it meets the surface of the Trevi Fountain.
Mark Rader transports us, sans jetlag, to a past world of desire and love lost in his unconventional romance novel The Wanting Life. We travel from Cape Code to Italy to a generationally familiar town in Wisconsin, navigating the hearts and minds of Rader’s characters and the threads that pull so heavily on their spirits.
0 Comments
In Katya Apekina’s novel The Deeper the Water the Uglier the Fish, relationships are used to emphasize characterization and create drama within the story. In particular, the novel examines father-daughter relationships, mother-daughter relationships, husband-wife relationships, and artist-muse relationships. Told through numerous first person accounts in the form of narratives, letters, phone conversations, and interviews, Apekina provides the reader with an in depth, up-close look at the intimate intricacies of these relationships and their meanings. The unique structure of this novel allows the reader to see each character’s internal and external struggles and conflicts. These accounts in various forms help create strong characterization and drama within the story.
As an avid reader, it has been a long time since I was so heavily engaged in a novel that my physical grip tightened by suspense and bent the pages. This was my experience reading True Ash, full of such vivid imagery that the reader is taken into a different world. Colen and Guess's writing not only plays mental mind games with readers, but questions the terms of genre as well. This novel is a combination of short stories, flash fiction, and prose poetry that all coincide with each other creating a luring uncanniness that hooks readers.
The first chapter of Jeffery S. Markovitz’s new novel contains just two words: He died.
This short statement is startling, but not altogether surprising for a story that centers around the events of World War II-era Germany, when death came for millions. In two short words, Markovitz not only sets the tone for the rest of the novel, but also lays the groundwork for a well-crafted twist at the end. The words reverberate as we are introduced to each new character, wondering, Is it him? Is he the one who died?
In Lee L. Krecklow’s debut novel The Expanse Between, he delivers a page-turner that will leave most readers unsure of what they would do by the end. It does an interesting job of introducing a commentary on the growing Internet, screen-obsessed culture. It takes place sometime in the mid-2000’s before this craze had really taken off, and in doing so shows that perhaps the human condition always had the impulses that the technology of today is making easier to appease.
|
Archives
April 2024
Categories
All
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 glassworksmagazine@rowan.edu |
All Content on this Site (c) 2024 Glassworks
|