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GLASSWORKS
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A Very Tenuous Grasp of History by Joanne Esser

9/1/2024

1 Comment

 
Three grandfather wall clocks are illuminated by dim light. They all display different times.
Photo by Andrew Seaman on Unsplash
I am at the point where it is hard to remember precisely when things happened. Or in what order. I am not good with dates, never have been, will over- or hugely under-estimate how long it has been since ______ . Even when the events were of great significance: A birth. A death. The day I met the person who is literally the most important individual in my life. They blend together, months and years, jumble around. Most often I recall a scent, or the weather that day, if there was snow on the ground yet or if we were wearing shorts.

In real life things do not march in orderly lines toward their conclusions. Some effects have no causes, some causes no direct consequences. You let go of blame over time. This happened, and this, but one did not bring the other into being. Like husbands, arguments, kisses. Like departures that in retrospect seem just natural next steps in the walk of life. I carved a pumpkin out of habit, will hang up the stockings when the calendar says it is time. Were my parents still alive when my niece was born, the young woman who is now planning her wedding? I did not know about my ex-husband’s heart attack until months later. He could have died. But he didn’t. And I met him in the produce aisle one day by chance, heard the whole story. And then have not seen him once since. What are the odds for anything? Everything seems to happen at once, and I still wake up the next morning unprepared. I put a clock in every room, yet am surprised that the hands keep turning.

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Joanne Esser is the author of the poetry collection Humming At The Dinner Table, the chapbook I Have Always Wanted Lightning, and the forthcoming All We Can Do Is Name Them, (Fernwood Press, 2024). Recent work appears in Echolocation, I-70 Review, Wisconsin Review, and Plainsongs. She earned an MFA from Hamline University and has been a teacher of young children for over forty years.
1 Comment
Joe Carosella link
4/3/2025 12:51:22 pm

Hi Joanne,
I'm writing to thank you for your wonderful book, All We Can Do Is Name Them. I read it last week and loved it. It's a book of poetry I will keep and re-read. I was so moved by it that I wrote a poem about your writing, which I would like to share with you (no strings attached). And I sent a review of it to The Sacred Poetry Workshop (no response yet). In case you don't get a chance to write back, I'll copy them both below. I hope this isn't too public a forum for these.
Best regards, and many thanks,
Joe Carosella

Reading Joanne Esser
March 31, 2025

A few of Joanne Esser's poems include
a litany, a list,
a set of sorted and collected points
to emphasize and name -
impressions, moments or events
that mark her life or others' lives
and show the seasons, cycles, life itself
as everything moves on.
Unlike the Grinch, whose heart was small,
Joanne's is big - compassion
flows from off the pages where
these poems, in print,
with words that I read easily
despite the wounds and scratches they depict,
show me she's given this a lot of thought:
on Earth, we live, and that is hard
(though there are joys as well)
and hard to write about,
but if you can,
as Joanne Esser has,
your poetry will glow
and make the reader - me -
feel understood.

Review
All We Can Do Is Name Them, by Joanne Esser (Fernwood Press, 2024)
reviewed by Joseph A. Carosella, March 30, 2025

Litany on an Autumn Late Afternoon begins Joanne Esser's book All We Can Do Is Name Them
with a list of blessings: for all those she encounters on her walk, it seems. Her wish to bless extends to everyone and everything - the breeze, the crickets, the wind chimes, not to mention out-of-shape joggers, get their share of acceptance. The thoughtfully intimate poems in this collection show us that Esser's heart is big. In Reflections as Earth Realizes That It Is Another Year Older, "Earth wishes it could take a day off without getting in trouble with the boss." In The Mothers, "...they can't afford despair. There is too much to be done." In Revision, Esser explains "The trouble with the present is it's a lot of work. You have to keep redoing it." That present may be hers, or mine, or ours. We may all wish for a day off. We may all face the temptation to despair.
Esser's poems meet these common troubles honestly, recognizing the pain and confusion of life. But they also give us a beautifully personal and poignantly wide-angled view of moments great and small - and they convince us that what creation has to offer is more than worth it in the end.
Reading All We Can Do Is Name Them is as comforting as sitting in a favorite chair by the window on a stormy day. Her reflections will look back at us from the window pane, and we will want to read them again and again.

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    FLASH GLASS: A MONTHLY PUBLICATION OF FLASH FICTION, PROSE POETRY, & MICRO ESSAYS

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    ​ISSUE 27


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    Aviary
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    Bistik Ayam
    Brandy Reinke
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    Joanne Esser
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