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GLASSWORKS
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Navy Blue Dickies by Jennifer Anne Gordon

6/1/2025

6 Comments

 
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​Photo by Eric Prouzet on Unsplash
I have oil stains on my frayed hem.

On Fridays I smell sour, metallic. On Saturdays I smell like Tide detergent. On Sundays my fabric grows stiff. On good days, after vegetable picking and an early lunch, I smell like sunshine and air when I am hung outside. The family is at Clam King, and the little girl eats grilled cheese. I hate it because I am not there, I am not being worn, I am the workday armor. I am not needed at Clam King.

I am outside a house, hanging in the sun, dancing in the wind as if I were not strong at all, as if I were beautiful. I am not made for sunshine; I am not made for dancing. I am armor, and I feel forgotten. I see the man when he comes home. Beige pants. Pleated and embarrassing. He pretends he does not need armor; he pretends that he can wear loafers and laugh over lunch.

He will wear me again soon, but I don’t recognize him without me. I see questioning postures and a laugh that doesn’t meet his eyes. Those days of beige pant performances were like a school play where everyone forgets their lines. The little girl cries. The mommy gets drunk on bloody marys and the man is not wearing the right costume.

During summer they take day trips. I go to the beach, I am navy blue, and hot in the sun, unable to soak in the saltwater. I am a bog, I am a shield, I am armor. The little girl looks at me funny, so dark against his pale skin. He takes off his shirt but slouches his shoulders. Tucks himself in and under an umbrella. I did not get removed. Not here.

The little girl hates me, she doesn’t understand why I am not a pair of Bermuda shorts, with bright florals that scream and laugh in the waves. Sea mist and boardwalks. She does not know why I am not a swimsuit. Saltwater and chafed thighs.

The little girl crawls on the sand, puts her head under the green nylon chair, she stares at my navy blue the way it punches out of the spaces in the fabric. Both a blindfold and a bullet.

She hates me.

She hates me because she has never seen her father’s knees. She hates me because she has heard the words shrapnel, she has heard the words scars, but she doesn’t know what that means, she doesn’t know what I protect. She doesn’t know I am armor with oil-stained hems, I fight an invisible battle, an invisible war.

I cover legs that didn’t walk for months, I cover legs with wounds that never quite heal, wounds that are wrapped tight, wounds that smell like almonds, and swamp water.

She is a little girl; I am armor.

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Jennifer Anne Gordon (she/they)  is an award-winning horror author (Kindle Award Best Horror Novel 2020, Lit Nastie Best Short Story 2023 and more) Podcast host (Vox Vomitis) and essayist with works in Lumina, Miniskirt, Wildscape, Horror Tree, Nerd Daily, and more. She is represented by Talcott Notch Literary and is a member of HWA and MWA. www.jenniferannegordon.com
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hiraeth by Kevin Brown

2/1/2025

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hiraeth: n. - Welsh English; deep longing for a person or thing which is absent or lost
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Photo by Billy Williams on Unsplash
​It started with a dining room table and chairs, enough for a small dinner party where we would converse about the composition of novels or maybe music or film (not movies, but film or cinema). I even bought furniture for the front room of the house I was renting, a closed-in porch that pretended to be a sunroom, but was too hot when the sun was out, too cold when the winters of Indiana settled in. Nobody ever sat on the couch, and I never occupied the chair, save for in my imagination when we moved from the table to have dessert and discussions about politics or art or other Important Issues.
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Or maybe it began when I looked through catalogs: one from public radio with shirts emblazoned with Not now, Carmen, I’m Bizet or Books: The Original Hand-Held Device and ties modeled from Frank Lloyd Wright designs or one from Levenger filled with barrister bookcases with a B chiseled into the glass and fountain pens that cost more than the engagement ring I bought for my first wife, the one who would leave before I could ever afford one shelf, even without the engraving.

I fell in love with skyscrapers and public transportation, so I traded in the mountains for a metropolis, of sorts. And now when I go home, or a place that looks like it—difficult to tell the difference—the one-fingered wave on the steering wheel that once welcomed me home has transformed into a finger flipped at a foreign entity with bumper stickers for the other side. Or maybe I’m the one who’s changed.

In “Thinking as a Hobby,” William Golding writes, “It is easy to buy small plaster models of what you think life is like.” To a boy from Carter County, Tennessee, who ended up in graduate school in the Humanities, it was impossible to know what a different life could look like, so I missed a world I never had, a world where books matter more than football scores, where philosophers filled my mind more than the family I left behind. I never knew what I had lost. I never knew what I had gained. I never knew which was which.

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Kevin Brown (he/him) teaches high school English in Nashville. He has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on social media sites at @kevinbrownwrites or at http://kevinbrownwrites.weebly.com/
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Dear Kelley by Kevin Brown

2/1/2025

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Photo by Álvaro Serrano on Unsplash
​I didn’t believe Jamie would beat you up, find you with his fists after school even though I told him to, every day for a few weeks. I treated life like the Atari video games that were just becoming popular, something like Chopper Command, where we would hit reset every time we made a mistake all so we could make another and another and another. He told me about it on the bus ride home; we were proud of ourselves. If I saw the students I teach behaving that way, I would want to shake them until their self-satisfaction fell off their faces and rolled down the hallway, never to be seen again. I’ve passed middle age by now, so I wear self-righteousness on a too regular basis, as if I never made such mistakes myself. But what can I say for the self I was then?

I was young and I was dumb and I wanted not to be on the bottom of the popularity pyramid for at least one moment, I wanted to know what it felt like to be aligned with Jamie and Alan and Joey who beat me up like it was their hobby, beat me up on a rotation like the universe had employed them to keep me in my place, and I thought that I could show that you were beneath us all—though that was already obvious to everyone, even me—and I was mean, though I didn’t know it then, and I wanted somebody else to suffer like I did, that feeling of wonder that came over me when I looked at other boys talking and playing with ease, without wondering what everybody was thinking about them all the time and when my parents sent me to your house to explain—as I had said over and over that I didn’t do it; I didn’t do it; I didn’t do it—your mother didn’t believe me because she knew me better than I knew myself, but you forgave me and I was almost in tears and I said I was sorry; I was sorry; I was so so sorry, and I never did anything like it again. But I know enough now to know I didn’t change—I’m still mean and I’m still dumb—but at least I rearranged what I worry about: popularity isn’t a priority; people’s opinions are as fickle as a boy who turned on his next door neighbor just to prove he could. And my ego has never recovered from the beating I gave it that night.

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Kevin Brown (he/him) teaches high school English in Nashville. He has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on social media sites at @kevinbrownwrites or at http://kevinbrownwrites.weebly.com/
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    FLASH GLASS: A MONTHLY PUBLICATION OF FLASH FICTION, PROSE POETRY, & MICRO ESSAYS

    COVER IMAGE:
    ​"Water Needles" 
    Katie Hughbanks
    ​ISSUE 28


    Categories

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    Dear Dr. Lorenzo
    Dear Kelley
    Flash Fiction
    Hiraeth
    Jennifer Gordon
    Kathleen McGookey
    Lineage
    Margo McCall
    Micro Essay
    Nailah Jonquil
    Navy Blue Dickies
    Prose Poetry
    This Is An Emergency Exit

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