GLASSWORKS
  • home
  • about
    • history
    • staff bios
    • community outreach
    • affiliations
    • contact
  • Current Issue
    • read Issue 30
    • letter from the editor
    • looking glass spring 2025
    • interview with Dale M. Kushner
    • interview with Jessie vanEerden
  • submit
    • submission guidelines
  • looking glass
    • spring 2025
  • editorial content
    • book reviews
    • opinion
    • interviews >
      • Dale M. Kushner
      • Jessie vanEerden
  • flash glass
    • flash glass 2025
    • flash glass 2024
    • flash glass 2023
    • flash glass 2022
    • flash glass 2021
    • flash glass 2020
    • flash glass 2019
    • flash glass 2018
    • flash glass 2017
    • flash glass 2016
    • flash glass 2015
  • media
    • art
    • audio
    • video
  • archive
    • best of the net nominees
    • pushcart prize nominees
    • read and order back issues
  • Master of Arts in Writing Program
    • about Writing Arts at Rowan University
    • application and requirements
  • Newsletter
  • home
  • about
    • history
    • staff bios
    • community outreach
    • affiliations
    • contact
  • Current Issue
    • read Issue 30
    • letter from the editor
    • looking glass spring 2025
    • interview with Dale M. Kushner
    • interview with Jessie vanEerden
  • submit
    • submission guidelines
  • looking glass
    • spring 2025
  • editorial content
    • book reviews
    • opinion
    • interviews >
      • Dale M. Kushner
      • Jessie vanEerden
  • flash glass
    • flash glass 2025
    • flash glass 2024
    • flash glass 2023
    • flash glass 2022
    • flash glass 2021
    • flash glass 2020
    • flash glass 2019
    • flash glass 2018
    • flash glass 2017
    • flash glass 2016
    • flash glass 2015
  • media
    • art
    • audio
    • video
  • archive
    • best of the net nominees
    • pushcart prize nominees
    • read and order back issues
  • Master of Arts in Writing Program
    • about Writing Arts at Rowan University
    • application and requirements
  • Newsletter
GLASSWORKS

M by Dale M. Kushner

a selection of poems from the collection published by 3 Taos Press | February 2022

Marieke, the Netherlands, 1940

I was seven months pregnant
when troops crossed our border. The dread hours
spelled the end of tomorrows. Evenings
the scent of scythed grass, forest birch
blue in the moonlight. As in a dream
of halted time, an eternity of engine-drone above the clouds.
Wing shadows pinned us to the ground.
Stunned breath, certain death.
Daniel ran from the woodshed, pine dust in his beard
& dragged me from the yard. In the kitchen
I sank to my knees. A rabbit was
braising in the iron pot. The baby jackknifed in my womb.
I saw a vision of my father already in the next world,
watching with pity in his eyes. I saw my mother
wrapped in a shawl on a footstool, her lips twisted
in a bitter smile. Wars aren’t won with prayers, she said.
In the evening the baby arrived in a bath
of blood. Daniel wept between my legs &
carried our dead child into the woods.
The clear night sky fed
my secret hope I would survive, though
along the horizon, flares—the enemy
advancing. Later, I learned the baby
had been a boy. Daniel blamed the Germans
for his death, having forgotten
the ugly nights he slammed his anger
into me, rough lullaby of his hips pounding mine.
I have stopped loving him completely now.
Blame that on the Germans, too, I think,
grief butchering the last tender morsel of hope.
    Picture

    Magdalene, Beata Diletrix Christi
    But Christ loved her more than all the disciples and used to kiss her often on the mouth.
    The rest of the disciples were offended by it and expressed disapproval. They said to him,
    “Why do you love her more than all of us?” The Saviour answered and said to them,
    “Why do I not love you like I love her?”
    —The Gospel of Philip

    Wasn’t it you
    who led me to the Judean cliffs
    removed my shawl, my crimson mantle
    making a bed on bare rock?

    And it was my hand that fed you olives, cheese from the goat.
    It was my fingers that picked the white crumbs from your lips.
    It was your shoulder blade I pressed my cheek into, the hollows
    beneath your collarbones I licked for salt.

    And it was my name you howled
    to the circling ravens.
    And it was the brow of your head
    against my belly, and your tongue
    that opened the pleats of my sex.

    And it was you, was it not, my Yeshua,
    who entered my private house
    like any mortal man?

    Now the hour of your death has passed
    and I am lost
    in the in-between place of wide despair
    where memory stings like a flock of arrows.

    I wait by the tomb, as you have instructed.
    Who will return? You
    or my invention of you?


    Mariska, Poland, 1946

                                             I escaped
    from a place I never belonged,
    a forest of permanent shadows
    where I hid among the nameless & forsaken
    who claimed me &
    hopeless season after hopeless season,
    through winter’s blue-lipped days, nights when the open secret of stars
    filled me with longing for a childhood
    stolen in the late days of autumn,
    the last notes of a Chopin mazurka
    lifting from Tata’s fingers before the stampede
    of boots on the stairs.
                                            Among the birch,
    we dug tunnels & slept under a crust
    of dirt. From a nest of larks
    we pillaged the unborn. Because you fed me
    I became one of you; I believed your fate
    was my fate. I was loyal to your fear.
    Terror
    made us legible to each other
    & to ourselves.
    Our bodies stank like hunted beasts’.
                                            ​Meanwhile,
    the earth orbited
    the sun, the moon became
    a sad hypothesis. Large countries swallowed smaller countries &
    vowels of the old language choked in our throats.
    Soldier’s uniforms changed colors, but
    we were not saved. Not even
    clouds that promised rain did we trust. We wondered
    if we would ever be human again. What had
    become us, we knew was not us, just as
    at the moment of death,
    the heart pitifully refuses and quakes
                                                                         with life.

    Read Glassworks' Interview with Dale M. Kushner
    Follow Dale on Instagram @dalemkushner or on Facebook @Dale M. Kushner 
    For more information visit: dalemkushner.com

    Picture

    Glassworks is a publication of
    ​Rowan University's Master of Arts in Writing
    260 Victoria Street • Glassboro, New Jersey 08028 
    [email protected]

    ​All Content on this Site (c) 2025 Glassworks