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by John Gross
Throughout time technology has changed how the writer crafts his novel. From pen and paper, to typewriters, to word processing—the tools of the trade are constantly evolving. In today’s world, the writer can craft a sentence and move it around to different places, supplementing paragraphs where he sees fit. This can be a powerful tool, that makes the revision process more fluid and dynamic. An author can be less committed to putting something on a page, where it can be easily reshaped, moved, and removed. While this technology has fundamentally changed how the novelist crafts his work, it hasn’t really changed how the reader consumes it. Sure, we are in a period of time that is showing the rise of e-readers and digital print, but ultimately the novel is being experienced in the same traditional way.
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By Jessica M. Tuckerman Here’s a brief description of one of my favorite stories: Desmond Miles just escaped from Abstergo Industries, the modern day face of the Knights Templar, after he was forced to live out the genetic memories of his ancestor who fought in the crusades. He escapes with Lucy Stillman and two others who help him to reach a secluded cave where Desmond relives the memories of Ezio Auditore da Firenze. The story jumps between Ezio’s story in the Italian Renaissance and the cave where Desmond is desperately trying to find an alien device which will destroy the world if it falls into the wrong hands. By reliving Ezio’s memories, Desmond hopes to find where the device is hidden before Abstergo catches up to him.
The story is full of twists and turns. I actually cried when Ezio, the narrator for much of the story, had to watch his family hang in the middle of Firenze. I love the plot, I love the framed narrative, I love seeing Italy during the Renaissance. I was consistently surprised throughout my first reading of the piece and I truly recommend that you pick it up. The story is from Assassin’s Creed II. A video game. by Andrew Bates There are certain unspoken rules amongst aficionados of media. One must always have a personal list of at least ten favorite works to call “the best” when called upon by others. When topics such as Twilight and 50 Shades of Grey come up, they must immediately refute them as terrible and trite. Using your cell phone in a dark movie theater is sacrilege. The arguably most important rule, and the one that is most common amongst media absorption, is that one must not reveal important dramatic turn of events. In other words, tag your spoilers.  credit: The Daily Fandom Google Poetry, Authorship, and Copyright Jason Cantrell In October 2012, a poet named Sampsa Nuotio created a site called “Google Poetics,” which posts submissions by poets from around the world, each of which is created in a nontraditional way. Each submission is derived from Google’s autocomplete suggestions, which appear when any Google user is typing in a search phrase. The suggested searches are predictions about what a user might be searching for, based on common searches performed by other users:  Screenshot of a Google search suggestion. The suggested searches can form a unique and sometimes moving series of phrases that read like poetry: they demonstrate poetic repetition, show a particular mood or theme, and evoke an emotional reaction in the reader. A recent example from November 5, 2013 demonstrates how these poems can be very moving. The first line shows what the poet typed, and the following four lines show Google’s suggested searches:  Screenshot from www.googlepoetics.com. The result reads like a poem, with the repetition of the phrase “Though I” as a way of contrasting the different lines. It has the tone of a poem, speaking about love and death, which are common themes in poetry. It even makes the reader consider the deeper meaning behind the lines, such as what the poet “disagreed with” and whether the “departure” in the last line might be an implied death. These elements are all common in poetry, but is this really a poem? Three important questions emerge when considering this style of poetry. First, can such a poem be considered a creative or literary work, when it was randomly generated with very little influence from the poet? Second, can the poet truly be considered the author of the poem, when they didn’t write it, but instead discovered it? And third, should such poems be protected under copyright, or instead be considered part of the public domain?
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