Why not red? To match her little leather book embossed with a dappled kestrel? To match the wilted poppy twisted in her deep blue hair? She has seen the piles of dolls crowded in roped-together boats, drifting listlessly, seasick and heartsick, anxious as cats. They bleed because now they have blood. The wind eats their foreheads and painted pink smiles. They are the opposite of pure. Salt in their eyes makes them suffer. Their bright kimonos, many-layered, pinch and steal their breath. When they can’t stand the smell, they cast their peach blossoms and rice cakes into the sea. Who would want these dolls now?They are still too precious to touch. The weight of any shoe fits the mermaid’s palm like a clam. Rows of black silk slippers gaze at her like otter eyes. Kathleen McGookey’s most recent book is Stay (Press 53). Her book Heart in a Jar is forthcoming from White Pine Press in Spring 2017. Her work has appeared in journals including Crazyhorse, Denver Quarterly, Epoch, Field, Ploughshares, Prairie Schooner, and Quarterly West. She has received grants from the French Ministry of Foreign Affairs and the Sustainable Arts Foundation.
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I rented an apartment above the bank downtown, where, straight out of the 40’s, an army of women staffed the gleaming counter, dabbing their lips and patting their hair. The children’s footsteps echoed through the light and airy halls. I don’t think we’re any safer here, my husband whispered, eyeing the crumbling black and white tiles, the slow flies buzzing in the windows. Winter was coming. The police would come faster if we lived above a vault. Later, when fall colors were at their finest, we could hold dinner parties at the country house. Now, on our first night, we searched for the hidden staircase to our new quarters. We each held a twin’s hand, but when the baby wailed, we saw yellow jackets crawling all over her teeth and tongue. Kathleen McGookey’s most recent book is Stay (Press 53). Her book Heart in a Jar is forthcoming from White Pine Press in Spring 2017. Her work has appeared in journals including Crazyhorse, Denver Quarterly, Epoch, Field, Ploughshares, Prairie Schooner, and Quarterly West. She has received grants from the French Ministry of Foreign Affairs and the Sustainable Arts Foundation. My kitchen clock stopped where I like it, 11:37, morning just blooming into afternoon. My desk clock froze at 10:10—plenty of time to work before lunch. Between kitchen and desk an hour opens: bees disappear into my hydrangeas, a thrush calls from the field, and my creek and the traffic beyond it warble and hiss, braid themselves into a white rush that settles around me. I have clocks of wasps and swans, of hammers and sand, of bridges over mist and the boat-shaped leaves that drift below. My doctor’s appointments never arrive on my clocks of teeth and dice, of napping cats, of thick erasers and combs. The children are always snug at school, learning their times tables and trading pennies for nickels. If I go out, my brother comes and winds my clocks. Kathleen McGookey’s most recent book is Stay (Press 53). Her book Heart in a Jar is forthcoming from White Pine Press in Spring 2017. Her work has appeared in journals including Crazyhorse, Denver Quarterly, Epoch, Field, Ploughshares, Prairie Schooner, and Quarterly West. She has received grants from the French Ministry of Foreign Affairs and the Sustainable Arts Foundation. |
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