Comingled blood, dark as windfall cherries, spattered lichen-streaked stones: grandfather (dead of foolishness), still-born Baby Anne—your family plot. And you might have sprung, angle and bone, from that corner yew, dark, with dark lank hair while I was mere summer folk, city girl—pudgy, pale, whiskey-colored ringlets. But on that garland branch, we pricked thumbs, became sisters. Envy grew green as island pines. Your narrow saltbox: high-ceilinged rooms, chamber pots beneath iron beds, stone-floor kitchen with hand pump and black, wood-burning stove—matriarchal dragon dominating the room, captured me. Your grandmother, brown and bony as yourself, knew things. I trotted behind as she gentled Sunday’s chicken. Ax arced, shell-carved eye stilled while deranged feathers convulsed in mad, mute tarantella. I was baptized in blood. You hungered only for trolley rides, glass revolving-doors, luncheons on the mezzanine, until you turned fifteen—one umbrella step ahead as always—left for New Orleans, a married woman. Island wives lashed tongues, raised long, red welts on your memory: Got herself in trouble. Uh-huh. I alone knew it wasn’t love or even lust that lured you; it was city lights. Had I been offered spells and incantations, I’d have gone too.
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What do you call her, this woman who flies an aeroplane? Who knows a magneto from a windsock? Whose favorite childhood poem began, How do you like to go up in a swing, up in the air so blue ... At six a swing, at twelve a rollercoaster—Ferris wheel too bland—at eighteen she’s airborne. Wings any skylark would die for. When Amelia flew through that window in time, she unlocked doors. Hand firmly on the stick, she pulls back, laughing up the sleeve of a cyclone, millions of neurons sparking in sequence, every ganglion aquiver, frisson cracking her spine clear to the tailbone. A persistent wind is inconsequential as the annoying telemarketer who uses her first name repeatedly because that’s what he was taught in annoying telemarketer school. She gazes into wide blue wonder, sky its immense self this morning, few blood-colored clouds. The boundary between here and there becomes elusive, impossible to pin down. Mystifying. Viscerally satisfying. So, what do you call her, this woman who flies an aeroplane? You call her a pilot. Ann Howells’s poetry appears in Borderlands, Spillway, THEMA and in anthologies: Goodbye, Mexico and The Southern Poetry Anthology, Volume VIII: Texas (Texas Review Press), Pushing the Envelope and Texas Weather Anthology (Lamar University Press) and elsewhere. She has edited Illya’s Honey since 1999, recently going digital (www.IllyasHoney.com) and adding a co-editor. Publications include: Black Crow in Flight (Main Street Rag), Under a Lone Star (Village Books), Letters for My Daughter (Flutter), and Cattlemen & Cadillacs, as editor, (Dallas Poets Community). Ann served as President of Dallas Poets Community for four years and as Treasurer for many more. |
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