My sanity hangs from a single, brilliant, dew-soaked spider thread.
I did not ask for this. You did not ask for this. These hurricanes of fury and passion and wreckage and fear which have no end. Ahead of the eye, walls of gray rain march forward, fierce and unrestrained. Behind, tornadoes and bolts of fire descend from the angry sky, shocking the land and its overflowing waters.
In between the storms, the sun shines, and we rebuild.
Standing behind the big chair in our living room, I watch, through little pools of tears, as the raging hand of mania strangles you. And I curse the sadness I know will follow and try to drown you. The shadowy, gnawing beast has come out of hiding and has swallowed you whole.
I have lost you again.
As despair pulls me under, a bird catches me and lifts me back up. Through the window next to me, he lands at the feeder. A sun-yellow body draped in a night-black hood. His beauty is so stunning, so perfect, he is all I can see. My eyes fill again with little pools. How can there be so much beauty in the middle of so much pain?
Yet here he is. Right now, in this moment, with this pain.
Having had his fill of sweet nectar, he disappears over the tops of the trees, carrying the bright sun and dark night with him as he steals away.
And leaves a little piece of sanity behind.
Amy Sugeno is a mental health therapist, mindfulness teacher, and former wildlife biologist. A life-long outdoor-lover, she has tracked rattlesnakes in dusty deserts and taught people to meditate in fields and forests. Amy lives outside of Austin in the rocky and rugged Texas Hill Country. She is currently working on a collection of creative nonfiction essays about nature, mindfulness, and adoption. Visit her online at www.amylsugeno.com
My younger sister takes the spray can of dry shampoo from the table where I left it, after I complain that it never works, never wicks the grease from my hair the way I need it to. She’s always been better at this stuff than me. Ever since we were children and Kate would swoop perfect layers of purple polish onto her tiny fingernails. My fingers always looked like a crime scene, they still do, even though now I’m approaching thirty and have learned to just pay for a manicure instead.
“You’re just not using enough,” She says in the same rough way she says most things to me. Years ago, I would snapped back with something rougher, but years ago she would never have taken the can to help, as she does this morning.
After I close my eyes, she unloads the can into my hair, pressurized ammo that chills my scalp. Between long blasts, she runs her fingers through my hair, working the product in. “You gotta really get in there,” she says, after one last spray.
I open my eyes and catch my breath. “So?” I ask. “How does it look?”
She shrugs. “Better,” she says. I don’t believe her. But we’ve spent enough time lingering in her best friend’s white, bright kitchen. I have a train to catch.
We eat omelets fat with feta cheese and bacon and onions and peppers in the diner of our shared childhood. They’ve torn down the façade outside to update it, but indoors is still the same. Turquoise vinyl banquettes, mirrors arching around the edges of the ceiling, neon signs sputtering above the bar. It’s all nostalgia, alive and breathing.
“They’ll change this next,” Kate says, knowing what I’m thinking.
The next time we’re both home together—neither of us knows when that will be or if we’ll be getting along still—this place will be gone. Places move on without you, is one of the first lessons I learned as an adult.
We leave, tipping generously. Every waitress reminds me of our mother, and I leave my guilt behind in 5s and 10s.
There’s dirt under my fingernails, yesterday’s deodorant still in my armpits. Mica from beach sand glitters my feet. Yesterday, we drove to Hammonasset and spent the afternoon standing ankle-deep in the calm Atlantic. We talked the way we both have always wanted to talk, we laughed easily and shared ourselves with each other. I’m grateful that sometimes people don’t move on without you. That they pause and look back and wait for you to catch up.
I sip cold brew on the Metronorth after Kate drops me at the station. The train hurries. I watch through the window as the green slips away, watch as concrete and metal replaces it, watch as the city builds itself, mile after mile after mile. It’s a subtle shift, one that builds so gradually you’ll miss it, if you aren’t looking for it.
Christina Harrington graduated from Sarah Lawrence College in 2014 with her MFA, where she was the managing editor for LUMINA. Since graduating, she has fulfilled a lifelong dream by working in the comic book industry, first for Marvel Comics and now as the managing editor for AfterShock Comics. You can find her work forthcoming in Foliate Oak Literary Magazine and Gyroscope Review.
FLASH GLASS: A MONTHLY PUBLICATION OF FLASH FICTION, PROSE POETRY, & MICRO ESSAYS
Cover Image: "A Peaceful Coexistence Part II"
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