Glassworks
  • home
  • about
    • history
    • masthead
    • staff bios
    • community outreach
    • affiliations
    • contact
  • current issue
    • read Issue 22
    • letter from the editor
    • looking glass spring 2021
    • interview with Jack Flo
    • interview with Christine Sloan Stoddard
  • submit
    • submission guidelines
  • looking glass
    • through the looking glass
  • editorial content
    • book reviews
    • opinion
    • interviews >
      • Ed Briant
      • Eugene Cross
      • Josh Denslow
      • Christopher DeWan
      • Katherine Flannery Dering >
        • Aftermath
      • Eric Dyer
      • Julie Enszer >
        • Avowed
      • Mitchell Fink
      • Jack Flo
      • Olivia Gatwood
      • David Gerrold
      • Cynthia Graham
      • Ernest Hilbert
      • Paul Lisicky >
        • The Roofers
      • Scott McCloud
      • Jan Millsapps
      • Anis Mojgani
      • Pedram Navab
      • Kelly Norris
      • Porsha Olayiwola
      • Michael Pagdon
      • Aimee Parkison >
        • The Petals of Your Eyes
      • Brad Parks
      • Chris Rakunas
      • Carlos Ramos
      • Mary Salvante
      • Jill Smolowe
      • Christine Sloan Stoddard >
        • Stoddard Poems
      • Jayne Thompson
      • Julie Marie Wade
      • Melissa Wiley
  • flash glass
    • flash glass 2021
    • flash glass 2020
    • flash glass 2019
    • flash glass 2018
    • flash glass 2017
    • flash glass 2016
    • flash glass 2015
  • media
    • art
    • photography
    • audio
    • video
    • new media
  • archive
    • read past issues
    • order print issues
  • Master of Arts in Writing program
    • about Writing Arts at Rowan University
    • application and requirements
  • newsletter

Postcard from Waterloo by Kathleen McGookey

4/1/2021

0 Comments

 
Dear Mother, our guide brought us this postcard showing the “types of wives which have contributed to the construction of the hill” after Edith and I woke with headaches. Is it a joke? All three women look stocky and miserable, no mistaking that! Black and white does not flatter anyone’s complexion. Edith figures she is the short one with closely set, glowering eyes. Are those baskets on their backs, or three separate fortresses they have constructed? Our perspective surely lacks depth. Right now our guide is smoking and reading Le Monde in the hotel lobby. Yesterday the clasp on Edith’s new gold necklace broke and instead of sulking, she pretended it was an offering to the blood-soaked fields. Tomorrow, our guide promises an expanse of meadowsweet. Edith feels sure those dear little flowers will not make her sneeze.
Picture

Picture
Kathleen McGookey has published four books of prose poems and three chapbooks, most recently Instructions for My Imposter (Press 53) and Nineteen Letters (BatCat Press).  She has also published We’ll See, a book of translations of French poet Georges Godeau’s prose poems.  Her work has appeared in journals including Copper Nickel, Crazyhorse, December, Field, Glassworks, Miramar, Ploughshares, Prairie Schooner, Quiddity, and The Southern Review.  She has received grants from the French Ministry of Foreign Affairs and the Sustainable Arts Foundation. 

0 Comments



Leave a Reply.

    FLASH GLASS: A MONTHLY PUBLICATION OF FLASH FICTION, PROSE POETRY, & MICRO ESSAYS

     


    Categories

    All
    Flash Fiction
    Hannah Marshall
    March Of Grief
    Prose Poetry
    Saramanda Swigart
    Snacking
    The Blind Feast With The Deaf
    Thelma Zirkelbach


    COVER IMAGE:
    ​"Bolt of Energy" 
    Britnie Walston
    ​ISSUE 22


    RSS Feed

Picture

260 Victoria Street • Glassboro, New Jersey 08028 
glassworksmagazine@rowan.edu

All Content on this Site
(C) 2021 glassworks