opinion

Why the Future of Writing is in Audio

8/1/2020

by Dina Folgia

When I was a child, I existed in a world ruled by print. If I wasn’t consuming media that had a front and back cover, chances are I wasn’t consuming it at all. I indulged in the occasional cartoon, maybe a movie or two every now and again, but by the time I was twelve my library of books far outweighed my library of DVDs. I was insatiable, unshakable, and I couldn’t picture myself growing up to craft anything besides literature.

As I entered into my college experience and began to study writing as a possible career path, however, I was faced with a dilemma. After spending four years studying and dedicating myself to the craft, I began to grow complacent in the area of print media. It seemed like all my creative writing-based classes were teaching the same things, and that was based in creating publishable material and helping writers grow a thick enough skin to brave the cold, uncaring world of print writing. It wasn’t until I added on a media writing concentration and took several Radio, TV, and Film classes that I began to realize why I—and many of my peers—had grown so incredibly tired of print.

Writers Are Just Liars With Misdiagnosed Imposter Syndrome

6/1/2020

Via Pixabay

by Megan Kiger

So, I’d call myself a liar.

Used-to-be outstanding liar, but maybe just above average now. My intentions are never anything more than comedic (or dramatic) relief. We all love drama, and we all lie about that too.

When I was little, I’d come up with intricate stories to cover my ass when I was in trouble or embarrassed (or just to make things interesting, you know?). I had a crush on a boy named Zach when I was ten. He had this ashy kind of blond hair and green eyes that I was obsessed with. I asked him if he wanted to swing with me at recess and he said no. He actually pretty rudely refused and laughed at me with his friends. I remember my throat swelling while I tried to keep the hysterics contained to my stomach.

Crowds Of Characters Make Storytelling Suffer

5/1/2020

by Christopher M. Comparri

The appeal of books, movies, television and any sort of story-telling platform can be boiled down to two key components: having a great story and having great characters to fill out said story. As viewers and readers, we often find ourselves rooting for certain characters and despising others to the pits of our very soul. This can be for any number of reasons: rooting for the underdog, finding a character that is relatable, finding one that embodies the essence of what we feel is right or wrong with the world. Finding the handful of characters that you feel strongly about builds an emotional tie between the content produced and the individual consuming it. However, the trend of incorporating huge casts of characters into stories is now having an adverse effect. People are finding too many characters to like or hate in passing. These characters are being masked as huge markers in a story, but the reality is quite different. In literature, sometimes less is more.

Writer's Block is a Choice

4/1/2020

by Mick Bratton

Writers have a tendency to conjure up the familiar term “writer’s block” as an excuse for not being able to produce content. The spewing of this writerly phenomenon, infamously treated as a common illness, is simply an excuse to not write at all—and it’s probably subconscious. We base our day-to-day lives around the world in which we experience life with our senses—our truths—and so it can be very believable that a blockage has been formed when there’s just a lack of motivation and inspiration. We need any liable subject to blame rather than owning up to our own actions. To blatantly dissect this disillusioned label and pluck it out of the book of excuses: writer’s block is a choice that has made its imprint on the world and has been alive and breathing for far longer than it should have.

Amazon's Book Bubble

2/1/2020

by Connor Buckmaster

Go look in your Amazon account (it’s likely that you have one), and find a book you recently purchased. Seriously. I’ll wait (just don’t close the tab!). Now ask yourself this, “How did I learn about that book?” Maybe a friend recommended it, maybe you found it on a best-seller list, maybe it’s a book you’ve always wanted to read, or maybe Amazon recommended it for you.

Writing Away Stigma

1/1/2020

by Brianna McCray

via IMDb

You don’t know because you’ve never seen it. Society doesn’t talk about it, but there is a lot of stigma that surrounds it.

I myself struggle with mental illness, and can say that the mental health services in America are not good enough and are not easily accessible. It took me years to find help, and this type of help is a necessity for those who struggle with any type of mental illness. When I went to see Todd Phillips’ new movie Joker starring Joaquin Phoenix, I was worried that it would portray mental illness in a bad light. The film was challenging to watch, however, many important aspects of mental illness are touched upon. Personally, after seeing the film, I would summarize it into one sentence: Joker is one of those experiences that will stick in your mind for a while.

Role-Playing with Words: the Nostalgia of Gamebooks

12/1/2019

by Justina Addice

Imagine this: you’re eight years old, sitting cross-legged on the floor of the children's section of your town’s public library, facing shelves of R.L. Stine's collection of horror novels. You’ve just opened up the cover of Give Yourself Goosebumps: The Werewolf of Twisted Tree Lodge, and upon reading the first words, you are immediately immersed in this second-person narrative where you’re the main character. It begins with a bus ride; you’ve just won first prize for a horror story that you didn’t actually write, and are now on your way to claim your prize, to spend a weekend away at a spooky cabin in the woods…

Fast forward thirteen years later to October 2018, where you come across old episodes of Goosebumps on television, and vague snippets of one specific story suddenly appears in your mind—images of traveling to a cabin, being chased by werewolves through a forest, of turning into a werewolf yourself. Others follow that, and you’re suddenly reminded of the wonderful stories you read as a child, ones where you were able to choose the outcome of the plot, where you could relive the same situation over and over with a new ending each time. You scramble to your laptop, and although it takes a while before you can actually find these stories you’ve somehow forgotten, you eventually come across it: Give Yourself Goosebumps. And underneath is a key word describing its genre: gamebook.

Writing with a Zoo Under Foot: Moving from Aggravation to Inspiration

11/1/2019

by Ann Caputo

As a writer, I realize the obnoxious phenomenon known as “writer’s block” is part of the craft, a peril of the trade. But why does it settle in at the most inconvenient time, like when I need to begin writing nearly anything? There is nothing so daunting as the blank page and a looming deadline. It took me awhile to realize that my pets hold more power in alleviating this condition then I first believed.

You Can Love High Fantasy Without Needing to Write It

10/1/2019

by Rachel Barton

While I was growing up, my mother made all of my Halloween costumes. Since she was a seamstress, she took this opportunity to go all out and produce works of art. For my first Halloween, I was a tiny bride with a complicated wedding dress. Throughout the years, I dressed as a Teletubby with a light up belly, Tom and Jerry in one costume, and a princess turned ninja. Each year, my mom would ask me what I wanted to be. When I was nine, I stumped her.

Why Writers Should Watch Cartoons

9/1/2019

by Laura Kincaid

I watch cartoons. I’m not talking about Family Guy or Rick and Morty, but cartoons created for and targeted at children. I’m not alone. Shows like Steven Universe, Adventure Time, and Avatar: The Last Airbender have garnered huge audiences from kids to teens to twenty-somethings and older. Countless blogs and video essays propose a pile of reasons why cartoons are suddenly “not just for kids anymore” like how they relieve stress, produce a sense of nostalgia, or provide life lessons useful to everyone. But when people ask me why I watch cartoons, I answer: “For the writing.”