book reviews

Review: A Wilder Time

9/1/2019

Wilderness and a Dissolution of Boundary
Review: A Wilder Time

Joe Gramigna

William Glassley
Nonfiction
Bellevue Literary Press, pp. 224
Cost: $18.00

Alan Watts

“You didn’t come into this world. You came out of it, like a wave from the ocean. You are not a stranger here.” This Alan Watts quote prefaces William Glassley’s nonfiction book A Wilder Time.

Watts was a 20th century Buddhist and spiritual lecturer who talked about the non-existence of self and the necessity of a return to nature in order to dissolve artificial, man-made divisions.

Glassley, a geologist, takes his own Wattsian spiritual journey into the Greenland wilderness. Although Glassley’s scientific background comes across in his writing, it doesn’t outshine his poetic prose that captures the pristine, esoteric setting of an untouched land.

Review: Driving Together

8/1/2019

Seemingly Simple Reflections of Life
Review: Driving Together

Julie Darpino

Robert Tyler Sheldon
Poetry
Meadow-Lark Books, pp. 84
Cost: $15.00

In his poetry collection, Driving Together, Tyler Robert Sheldon shares personal observations of seemingly simple moments in his life: observations on a hummingbird, a physical scar, yard work, and graduate school. Spanning all of these subjects, Sheldon’s poems use crisp imagery and storytelling. Through his prevalent themes of childhood experiences, the nature of Kansas, and the relationship to his wife, Sheldon reveals to his readers an unexpected depth to life’s simplicity by use of imagery.

Review: True Ash

7/1/2019

Genre, Sexuality, and Mystery: How True Ash Bends All the Rules
Review: True Ash

Jenna Pauline Burke

Elizabeth J. Colen and Carol Guess
Fiction
Black Lawrence Press, pp. 140
Paperback, $17.95 US

As an avid reader, it has been a long time since I was so heavily engaged in a novel that my physical grip tightened by suspense and bent the pages. This was my experience reading True Ash, full of such vivid imagery that the reader is taken into a different world. Colen and Guess's writing not only plays mental mind games with readers, but questions the terms of genre as well. This novel is a combination of short stories, flash fiction, and prose poetry that all coincide with each other creating a luring uncanniness that hooks readers.

Review: Pretend We Live Here

6/1/2019

The Art of the Uncomfortable
Review: Pretend We Live Here

Laura Kincaid

Genevieve Hudson
Fiction
Future Tense Books, pp. 168
Paperback, $13 US

Genevieve Hudson captures the comfortable in the uncomfortable. Her collection of short stories, Pretend We Live Here, centers on characters looking for home in places, in people, in their own bodies. No matter where her characters roam, readers are confronted with the violence inherent to existence through her sharp-edged but haunting, sometimes even joyful, prose.

Review: The Shape of A Hundred HIps

5/1/2019

Review: The Shape of A Hundred Hips

Ann Caputo

Patricia Cumbie
Memoir
Bink Books: pp. 226
Cost: $14.95 (paperback)

In this current climate of the #MeToo movement, women across the globe are fighting back against sexual harassment and assault by pulling back the curtain of shame, stepping out of the shadows, and sharing their personal stories. Author Patricia “Pat” Cumbie bravely adds her voice to this critical discourse with her memoir, The Shape of a Hundred Hips.

Review: Echo Bay

4/1/2019

Transformation and Letting Go in the Las Vegas Valley
Review: Echo Bay

Kaitlyn Gaffney

Jennifer Battisti
Poetry
Tolsun Books, pp. 48
Cost: $10.00 (paperback)

In Jennifer Battisti’s first chapbook, Echo Bay, we meet a multifaceted and singularly articulate girl and woman, raised on the fringes of the Las Vegas Valley, navigating the complexities of memory with moving poetic detail. The speaker is at once enrapturing and unabashed, exploring adolescence, marriage, motherhood, and grief with both precision and universality. Through Battisti’s unique perspective, we examine the shaded, much less glamorous fringes of the Las Vegas Valley, just as we are presented with the much less idealized aspects of motherhood and marriage. Battisti’s profound work fosters an intensity of emotion which ranges from despair to joy to acceptance as the speaker searches for the freedom of letting go.

She waits...to scour out the marks--
her own choices, the only ones
she cannot abrade,
while longing to belong
to only the deep
wilderness of autonomy.
-Jennifer Battisti, “Kitchen Sponge”

Review: Permanent for Now

3/1/2019

Chasing Permanent, Chasing Change
Review: Permanent for Now

Myriah Stubee

Jeffrey S. Markovitz
Fiction
Unsolicited Press, pp. 129
Cost: $20.99 (paperback)

The first chapter of Jeffery S. Markovitz’s new novel contains just two words: He died.

This short statement is startling, but not altogether surprising for a story that centers around the events of World War II-era Germany, when death came for millions. In two short words, Markovitz not only sets the tone for the rest of the novel, but also lays the groundwork for a well-crafted twist at the end. The words reverberate as we are introduced to each new character, wondering, Is it him? Is he the one who died?

Review: Novalee and the Spider Secret

2/1/2019

Unraveling the Web of Silence
Review: Novalee and the Spider Secret

Matthew Vesely

Lori Ann Stephens
Fiction
Bedazzled Ink Publishing, pp. 150
Cost: $10.95 (pb), 8.95 (eb)

Novalee and the Spider Secret could be a catalyst for the younger generation, empowering the novel’s readers in the same vein as the #MeToo movement, which empowers people all around the nation to speak up about their sexual abuse. From the point of view of a young girl who is sexually abused, Lori Ann Stephens’ novel is special as it caters to a pre-teen audience.

Review: The Fevers of Reason

1/1/2019

Community: In Sickness and In Health
Review: The Fevers of Reason

by Rachel Barton

Gerald Weissmann
Nonfiction essays
Belleview Literary Press, pp. 272
Cost: $19.99

As I approached The Fevers of Reason, I did so with a foot in each river of influence—or rather, a leg in one and a toe in the other. Weissmann’s essays discuss the intersection of various issues within medicine and popular culture. As a student of literature, I have often written extensive essays and participated in lengthy discussions of multiple works, like Arrowsmith and Sherlock Holmes,that Weissmann includes. Until recently, my knowledge of science and medicine has been rather superficial—me as a nervous patient in the waiting room. As my study of literature, guided by Elaine Scarry and Rita Charon, has begun to dip into the interaction between literature and medicine I’ve become more confident about the relationship between the two. Wearing my budding knowledge of the relatively young field like swimmies, I jumped right in to Weissmann’s collection and found a rich layering of past, present, science, and literature to present diverse takes on the issue at hand.

Review: SPINE

11/1/2018

The Pain of Living
Review: SPINE

Juliana Crescenzo

Sarah Caulfield
Poetry
Headmistress Press, pp. 30
Cost: $10.00

Sarah Caulfield's words dig beneath our flesh and go straight to the bone in her collection of poetry, SPINE (2017). Caulfield’s first book beautifully weaves together powerful images of blood and bone, plus themes of religion, chronic illness, and guilt, pulling on the reader's heartstrings and commanding empathy. The repeated themes make it clear that these topics are very important to Caulfield, and are ones often swept under the rug instead of spoken about in society.

The collection was titled after it was pointed out to Caulfield that “spine” is the most used word throughout the entire work. The spine is the center of the body, and when it hurts, it becomes hard to operate under the expectations of society. Similarly, the spine plays a focal role in the collection, as Caulfield reinforces within her poem “To the Girl I Was” when she writes, “My spine is made of beach glass. It will withstand.” Caulfield’s spine is strong, readers will agree, after reading through her collection and understanding the narrator’s struggles.