Category: Collection

Review: The Intangibles

8/1/2020

An Ode to Writing
Review: The Intangibles

Elizabeth Mosolovich

Elaine Equi
Poetry
Coffee House Press, pp. 96
Cost: $16.95

The word “intangible” means “unable to be touched or grasped; not having physical presence.” Elaine Equi’s newest collection of poetry, The Intangibles, is an ode to writers and writing itself, that thing which cannot be grasped but is full of life and creativity and which all writers try to bend to their will, or else let themselves be consumed. Infusing her respect for past writers and the writerly craft, Equi’s simple, well-crafted prose brings the reader on a historical and literary journey, where the influence of and appreciation for past poets enhance the depth of her work.

Review: Pretend We Live Here

6/1/2019

The Art of the Uncomfortable
Review: Pretend We Live Here

Laura Kincaid

Genevieve Hudson
Fiction
Future Tense Books, pp. 168
Paperback, $13 US

Genevieve Hudson captures the comfortable in the uncomfortable. Her collection of short stories, Pretend We Live Here, centers on characters looking for home in places, in people, in their own bodies. No matter where her characters roam, readers are confronted with the violence inherent to existence through her sharp-edged but haunting, sometimes even joyful, prose.

Review: The Missing Girl

5/1/2018

A Little Goes A Long Way
Review: The Missing Girl

Elizabeth DiPietro

Jacqueline Doyle
Fiction
Black Lawrence Press, pp. 30
Paperback, $8.95 US

The woman running for her life from a man in a park. The girl who passes out at a party after a tainted drink. These are familiar stories we’ve been exposed to time and time again in the media. In fact, they’re so common they border on cliché. We’re under the impression there is nothing left to say, but there’s still, for a lack of words, fresh blood in these stories.

Jacqueline Doyle’s debut chapbook The Missing Girl features a collection of stories about the threats women face. From rape to questionable encounters, Doyle’s genius is that through her flash fiction pieces, she relies on our societal knowledge to fill in the blanks of her finely drawn bits of terror; and through them reminds us that for women nothing and nowhere is safe.

Review: I'll tell you in person

6/1/2017

Are You Talking to Me?

Review: I'll Tell You in Person

Amanda Rennie

Chloe Caldwell
Creative Nonfiction Essay Collection
Coffee House & Emily Books: 184 pp.
Cost: $16.95

Some people seamlessly accept the maturity and responsibility that comes with adulthood. Some of us call our moms a lot. Some dig their heels into the ground with the resistance of a toddler heading to time out. Chloe Caldwell, by certain definitions, is the latter. Caldwell’s latest essay collection, I’ll tell you in person, includes lengthy but devourable essays about some of her craziest decisions, most obstructive and devastating problems, major disappointments, and the relationships that got her there.

Review: The Topless Widow of Herkimer Street

11/1/2016

Review: The Topless Widow of Herkimer Street

Andrew Davison

Jacob M. Appel
Short Story Collection
Howling Bird Press: 184 pp.
Cost: $20.00

Jacob Appel’s The Topless Widow of Herkimer Street proposes an intriguing question, and with it, a particular view on and of society. While it may play fast and loose with both extremes of logic, insisting on familiar reality at times and abandoning it to implausibility at others, its characters struggle with that compelling question of choice and consequence, often long after they have resigned themselves to passively letting their lives play out.

Review: Mouthful of Forevers

6/1/2016

An Appetite for the Insatiable
Review: Mouthful of Forevers

Gabrielle Lund

Clementine von Radics
Poetry
Andrews McMeel Publishing, pp105
Cost: $16.99

There are some cravings that can last a lifetime. If there is any evidence of this, it can be read in Clementine von Radics’ poetry collection Mouthful of Forevers. These poems separately challenge the reader to look at how they define love and how they heal from it. They make us question whether or not love is just one thing, or a mangled mess of emotion. Von Radics begs us to be raw with ourselves, to explore the types of love the world has to offer, traditional or not. She teaches us that the type of love we learn is the definition of love we bring with us, the love we challenge.

Review: Stay

4/1/2016

Crafting the Courage to Stay
Review: Stay

Katie Budris

Kathleen McGookey
Prose Poems
Press 53, pp 77
Cost: $14.95

Kathleen McGookey’s words are brave. She begins her latest collection, Stay, with a quote by Gary Young: “The worst thing you can imagine is not the worst thing that can happen to you.” And yet, worse for McGookey translates to great for the reader. Her bravery comes across on every page, not as a battle cry or manifesto, but slowly, quietly, in the most unassuming way. The vulnerability permeating each poem is, perhaps, the bravest words can be.

Review: Scrap Iron

8/1/2015

Small Town Displacement
Review: Scrap Iron

Carly Szabo

Mark Jay Brewin, Jr.
Poetry
The University of Utah Press, pp. 92
Cost: $11.80

Mark Jay Brewin, Jr. dares his audience to pontificate the world and relationships around them in his stunning work of poetry Scrap Iron. Written with a narrative voice, these poems are less like traditional poetry and more like beautifully detailed, deeply personal stories that explore the complexities of familial relationships and the desire to be elsewhere. Broken into three parts, there is a clear beginning middle and end to this book of poetry that is lacking in other similar works. Rather than leaving the reader empty and unfulfilled, the carefully comprised structure of this book ends with the reader left in a state of deep thought and satisfaction.

Review: Refractions

8/1/2015

A Morbid Nature
Review: Refractions

Andrew Bates

Refractions
Stephen C. Behrendt
Poetry/Mixed Media
Shechem Press, pp. 109
Hardback cost: $24.95

The very essence of the word refraction takes its basis from the physical world; referring to when a ray of light is diverted from one path and begins to traverse another. In his new poetry collection, Refractions, Stephen C. Behrendt uses the term as a focal point for his collection to take an alternate look at the morbid aspects of humanity. Behrendt creates a portrait of love, nature, and what it means to be human through an epic scope, looking at life not only through the viewpoint of an animal, but through the viewpoint of his own life.

Review: Walking in on People

6/16/2015

The Funny Truths About Human Nature
Review: Walking In On People

Kaitlin Zeilman

Melissa Balmain
Poetry
Able Muse Press, pp. 80
Cost: $18.95

Melissa Balmain’s book Walking in on People transfixes readers with the humor of her and her family’s everyday life. The poet's simple language illustrates a play on observation, thought, and vantage point as she tackles marriage, raising children, and pop culture. Delivering lines that are thought provoking and eloquent, she simultaneously keeps the poetry genuine with her direct language. Balmain is boldly “walking in on people” where many choose not to go. This collection shouldn’t, however, be seen as spying, but rather as a different take on the renewal of faith in everyday human nature.

The poems in Balmain’s collection have varied subject matter and are intended to be humorous. Readers of more than one personality type should be able to at least smile after entering this poet's world. Because some of the entries are so short, every word has to mean something…and each one does. Walking in on People is constructed in such a way that the poems flow easily from one to the next. It also helps that they are divided into sections so the reader can skip around to the subjects they find more interesting.

Many lines can be very funny and innocent at the same time. One of the better examples comes from the titular poem “Walking in on People,” which reads, “I witness at a conference enjambed / of friends rebounding from a recent breakup / and once, two mimes in nothing but their makeup.” Balmain manages to get across a serious point while keeping the words light so the reader and the mood do not become overwhelming. These lines obviously are talking not only about a breakup from the outset, but also about two friends reacting to their perceived hardship.