A Journey Not Across the Universe But Across The Generation Gap
Review: Penultimate Human Constellation
Steven Ostrowski and Benjamin Ostrowski
Tolsun Books, pp.136
Humanity has long searched for meaning and truth by looking toward the stars. Poets Steven and Benjamin Ostrowski believe we only need to look within ourselves. This father and son team present what they’ve learned and what they seek to know in their new book Penultimate Human Constellation: A Father and Son Converse in Poems (2018, Tolsun Books). Less an epistolary narrative and more like a private conversation over a long sleepless night, the Ostrowskis embark on their unique quest. We become privy to their efforts.
Seemingly Simple Reflections of Life
Review: Driving Together
Robert Tyler Sheldon
Meadow-Lark Books, pp. 84
In his poetry collection, Driving Together, Tyler Robert Sheldon shares personal observations of seemingly simple moments in his life: observations on a hummingbird, a physical scar, yard work, and graduate school. Spanning all of these subjects, Sheldon’s poems use crisp imagery and storytelling. Through his prevalent themes of childhood experiences, the nature of Kansas, and the relationship to his wife, Sheldon reveals to his readers an unexpected depth to life’s simplicity by use of imagery.
Transformation and Letting Go in the Las Vegas Valley
Review: Echo Bay
Tolsun Books, pp. 48
Cost: $10.00 (paperback)
The Other Side of the American Dream
Review: Don't Call Us Dead
One aspect that makes poetry such a powerful form is how it is often used to tackle pertinent and even controversial topics. Race and sexuality are two timely issues, and Danez Smith tackles both of them in his book of poetry Don’t Call Us Dead. As a gay, black man in America, Smith has a unique perspective that shapes much of what he writes. In some ways, his poems speak to a very particular demographic and yet, they ring true for larger audiences.
A Dark Ordinary has a combination of visually intriguing poems, reminiscent of e.e. cummings, and poignant prose poems that grasp your imagination. Using vivid imagery, unusual description, and vibrant language, Dyckman successfully paints a portrait of the sad, bleak, “dark ordinary” lives of child laborers in early 1900s America.
In her debut poetry collection Glass Harvest (2016) Amie Whittemore unites all aspects of the universe: family, nature, farmland, music, and even the mythical and mysterious. It is full of surprises, moments of elation followed by moments of poignant grief, dark imagery juxtaposed with snapshots of beautiful, rural landscapes. With her poems, Whittemore celebrates the offbeat and unconventional, resulting in a collection of poems that mirror the chaos and unpredictability of family, both in form and content.
Lilith. Feminist icon. Biblical nightmare. And now, the subject of Julie R. Enszer’s latest poetry book.
Lilith’s Demons, Enszer’s third book, reimagines the infamous, ancient figure Lilith as a modern, empowered woman. Split into three parts, the book begins with poems from Lilith’s point of view, followed by a middle section narrated by her demons (all with their own unique name and personality), and finally, closing with a short section narrated by angels who are drawn to Lilith’s alluring power. Through the eyes of Lilith and her demons, Enszer crafts a beautiful and thought-provoking narrative of the modern issue of women’s oppression, and the punishment they receive.
War of the Foxes (2015) is the long awaited follow-up to Richard Siken’s Crush (2005), published ten years ago, which won the Yale Younger Poet’s prize. It is a brilliant work full of questions and unearthing, looking both inward and around, projecting his battles through art, poetry, and the characters within them.
Most of Siken’s poems seem to be self-reflecting, riddled with abstractions and rhetorical questions. He yearns to untie “the knot of the self,” as quoted from his poem, “Glue,” looking at his own writing, his own art, his own life and mentality. It is soul searching in its finest display of craft. Profound attempts to answer profound questions. Siken could be questioning his own existence and his own method of life. “Why live a life? Well, why are you asking?” The very process of writing seems to be the answer to his questions.
There are some cravings that can last a lifetime. If there is any evidence of this, it can be read in Clementine von Radics’ poetry collection Mouthful of Forevers. These poems separately challenge the reader to look at how they define love and how they heal from it. They make us question whether or not love is just one thing, or a mangled mess of emotion. Von Radics begs us to be raw with ourselves, to explore the types of love the world has to offer, traditional or not. She teaches us that the type of love we learn is the definition of love we bring with us, the love we challenge.
Kathleen McGookey’s words are brave. She begins her latest collection, Stay, with a quote by Gary Young: “The worst thing you can imagine is not the worst thing that can happen to you.” And yet, worse for McGookey translates to great for the reader. Her bravery comes across on every page, not as a battle cry or manifesto, but slowly, quietly, in the most unassuming way. The vulnerability permeating each poem is, perhaps, the bravest words can be.
book reviews by glassworks editorial staff