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Review: Pale Harvest

3/3/2015

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A Landscape of Lust of Lies
Review: Pale Harvest


Kevin Coopersmith

Pale Harvest
Braden Hepner
Fiction
Torrey House Press, pp. 366

Paperback Cost: $17.00

Before the return of Rebekah Rainsford, Jack Selvedge’s world is as small as it is consistent. Jack has known little of the world but the hard hours and hopeless returns of his life as a dairy farmer on his grandfather’s farm; a craft that is dying along with Juniper Scrag, his time-forgotten hometown in the shadows of the Salt Lakes. Jack is a man of the land, dedicated to his dreams of inheriting the farm and carrying on his grandfather’s legacy of labor and sacrifice.

This theme of life and land presents itself throughout Braden Hepner’s debut novel. As time passes and generations turn over, the land that makes up the small, aging town of Juniper Scrag proves itself to be as present a character in the narrative as Blair Selvedge: Jack’s work-wrought grandfather. While life in Juniper Scrag has held steady in its decay, the effect of time begins to unravel, taking its toll on the land and its citizens.

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When Identity Changes Everything

3/2/2015

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Review: When I Was Straight

Amanda Baldwin


When I Was Straight
Julie Marie Wade
Poetry
A Midsummer Night’s Press, pp. 48
Cost: $10.95



Julie Marie Wade’s chapbook When I Was Straight, a title that may lead a reader to expect poems about the transition between sexual identities, is actually largely heterosexually focused. Wade speaks openly about her experiences with men at the start of her sexual awakening, comparing her role as a woman to the ideal feminine condition society preaches, and in contrast to the feelings she had for other women in her life, even before she acted on them. Instead of appealing only to lesbians, the content of Wade’s poetry is extremely relatable for any woman who might not be entirely comfortable in the gender roles society has assigned to her or who is questioning her sexuality.

Feminism is not brought up explicitly, but it is an underlying thread that runs throughout the entire work, lending intensity to her emotions and the words she chooses to express herself. The old-fashioned way of looking at how a woman relates to a man still lingers, although women are doing their best to destroy the sad excuses for the lack of progress, as displayed in the helplessness shown in Wade’s poem “There Was a Man in the Moon”: “The woman did not know how to work/the lawnmower, & the man did not know/how to work the microwave.” This presentation of a woman’s skills in the home versus a man’s know-how may have had a seed of truth in it once upon a time, but now women are freer to learn everything they want about the world. Women are also allowed to pursue careers and hobbies rather than just getting married and having children. Wade’s poem “It Was a Shame” brings up what girls are still not taught—how to be a sexual woman, like Wade was while figuring out her sexuality: “It was a shame. It was a phase. / It was a secret. / I wanted every man I met. / I courted danger on the dance floor.” Even before she was thinking about engaging another young lady in bedroom activities, Wade’s perceived promiscuous nature was looked down upon by society in general as unseemly. Girls going through puberty and experiencing hormones and sexual attraction for the first time are understandably confused about what is happening to their bodies and minds during this time and why they want new things, and they must be taught the truth in order to stay healthy.


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    book reviews by glassworks editorial staff



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