Here are the fuming chairs of a round table made rectangular by gilt-edged name-plates. Here is the world that promises sanctuary to strangers like me, that promises to live and die by the truth. Here are the words that arrest you, first when this world makes that promise and then when it breaks that promise. Here is a pen, announcing and denouncing things, until the fingers holding it are twisted in the darkness by shadows with muffled footfalls. The pen is your pen, the fingers are your fingers, but you cannot / will not / must not tell the story thus; so you say instead: here is the pen that ... The pen stops, hovers over a blot for one flicker of the guttering candle, then rises and moves away from the page. A massacre vanishes from history. Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Black Bough, Zin Daily, London Grip, The Madrigal, Acropolis Journal, Lucent Dreaming, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her. https://linktr.ee/HibahShabkhez
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