It’s not every day that people run to the Northwoods, particularly in the Wisconsin region, for safety and stability. Yet it proves itself to be the perfect backdrop for Jill Stukenberg’s News of the Air. In this novel, Stukenberg paints the picture of a near future with repeated violent protests flooding the cities and wildfires rampaging the rest. In what starts off with a similar feel to The Handmaid’s Tale, Stukenberg details the journey of a young family, especially the mother, sacrificing the pleasures of city life for a new, safer life in the woods where her daughter can stretch her legs and peace can envelop them all. However, as life goes on, the daunting realization creeps up that trouble is everywhere and that running away from your problems often creates new ones, maybe even ones that you can’t run from anymore.
0 Comments
Hostage: a person seized and used as security for the fulfillment of a condition. Someone who is specifically held captive so that other people will act according to the will of their captors. So what does poet Laura McCullough mean when she likens women to hostages in her newest poetry collection?
Women and Other Hostages is McCullough’s seventh and most recent collection of poetry. Excluding her prologue piece, this collection is split into five separate sections for the reader to view. Her poems act as a looking glass, allowing the reader to experience the world from an entirely female perspective and see the joys and struggles of the everyday woman. The myriad of poems she presents display a range of emotions from the freedom of selfhood found in “Women & The Syntactical World” to the unquestionable pain demonstrated in “The Will.” McCullough pours her soul into each piece and proudly displays her own battles to bolster others.
Piñata Theory by Alan Chazaro is a collection of poetry, a collection of memory, a collection of what it was and is like to be a Mexican-American. Chazaro has moments of sincere examination—“Lucha Libre, in Two and ½ Parts,” a poem which is split into two and a half parts, is an example in which he explores how he may have turned out had he been raised in Mexico instead of the United States. He writes: “Mexican For the non-Spanish speakers, what Chazaro is saying is: Mexican me might’ve been more ready than American me, might’ve loved more easily than American me.
In this we learn the epicenter, the foundation, for most of the poems is a search for identity. Chazaro thinks: What if I stayed? What if I were raised in Mexico? Who would I have been? These are valid questions for anyone raised outside of their home country.
As an avid reader, it has been a long time since I was so heavily engaged in a novel that my physical grip tightened by suspense and bent the pages. This was my experience reading True Ash, full of such vivid imagery that the reader is taken into a different world. Colen and Guess's writing not only plays mental mind games with readers, but questions the terms of genre as well. This novel is a combination of short stories, flash fiction, and prose poetry that all coincide with each other creating a luring uncanniness that hooks readers.
The woman running for her life from a man in a park. The girl who passes out at a party after a tainted drink. These are familiar stories we’ve been exposed to time and time again in the media. In fact, they’re so common they border on cliché. We’re under the impression there is nothing left to say, but there’s still, for a lack of words, fresh blood in these stories.
Jacqueline Doyle’s debut chapbook The Missing Girl features a collection of stories about the threats women face. From rape to questionable encounters, Doyle’s genius is that through her flash fiction pieces, she relies on our societal knowledge to fill in the blanks of her finely drawn bits of terror; and through them reminds us that for women nothing and nowhere is safe. |
Archives
March 2025
Categories
All
|
RSS Feed
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 [email protected] |
All Content on this Site (c) 2025 Glassworks
|