It’s not every day that people run to the Northwoods, particularly in the Wisconsin region, for safety and stability. Yet it proves itself to be the perfect backdrop for Jill Stukenberg’s News of the Air. In this novel, Stukenberg paints the picture of a near future with repeated violent protests flooding the cities and wildfires rampaging the rest. In what starts off with a similar feel to The Handmaid’s Tale, Stukenberg details the journey of a young family, especially the mother, sacrificing the pleasures of city life for a new, safer life in the woods where her daughter can stretch her legs and peace can envelop them all. However, as life goes on, the daunting realization creeps up that trouble is everywhere and that running away from your problems often creates new ones, maybe even ones that you can’t run from anymore.
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If coming-of-age stories are your preference, but you’re looking for a new twist on the genre, then look no further than Arisa White’s latest title Who’s Your Daddy. This poetic memoir presents a modern take on growing up, from adolescence to adulthood. Arisa White’s story told through narrative poems gives readers a taste of living under an unjust set of fathers. But it’s not all doom and gloom as Arisa interjects a style of humor that complements her own sensibilities. Even though readers are meant to view this story through the perspective of a young Black Guyanese girl, anyone who has had an unfavorable relationship with a parental figure can find value in White’s collection.
How can you write a memoir about a day? Authors generally write memoirs about entire lifetimes, not twenty-four hours. And yet, author Sonya Huber set out to record a single day in her life and all that it stood for in her newly released memoir, Supremely Tiny Acts: A Memoir of a Day.
Huber wears many hats—those of an activist, mother, wife, professor, and writer to name just a few. And in a perfect storm of sorts, Huber finds herself needing to balance all of these roles. Huber’s memoir is micro-focused on a single day. While participating in an environmental protest about climate change in Times Square, Huber is arrested. The main day chosen for the memoir, however, is Huber’s day in court following this arrest. On this same day, she finds herself grading her students’ papers (having necessarily canceled class), dealing with her rheumatoid arthritis, trying to calm her own nerves at needing to appear in court all before she is expected back to her hometown in Connecticut to take her teenage son for his driving test.
Against the backdrop of a slowly dying world, Helene Bukowski writes a beautiful and brutal story about living with trauma, the strain of motherhood, and the danger of fearing the unknown.
In the opening lines of Milk Teeth, Helene Bukowski sets the tone for the story to come: “The fog has swallowed up the sea. It stands like a wall, there, where the beach begins. I can’t get used to the sight of the water. I’m always looking for a bank on the opposite side that could reassure me, but there’s nothing but sea and sky. These days, even this line is blurred.” Beautiful, brutal, and eerily accessible, the story of Milk Teeth is one that peels back the layers we build around fear; it lays them bare along tainted waters and dares its readers to move through the fear and into the beyond.
Not understanding what you have until you lose it is a bitter feeling. But losing something you’ve always recognized as important leaves a unique wound. The Mason House is a wonderfully vivid memoir painting the likeness of a young woman and her family dealing with that wound and doing their very best from allowing it to fester. And similarly to the many others who have and still must do the same, Marie and her family members struggle to adapt.
Loss is the key emotion of The Mason House and the author, T. Marie Bertineau, makes us clearly understand her loss of her “Gramma,” the owner of The Mason House, by showing us who Gramma was through her own eyes. Bertineau is great at presenting instantly recognizable people. And the picture she paints of Gramma is one of a genuine, if not often harsh, person with woods lady wisdom. A cool, sometimes enigmatic woman who is worth inheriting some personality from. |
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