“The forest wears perfume. You’ve smelled it: sun-baked pine, heady as fresh bread. Forest dresses stout in summer, all kinds of layers. Then she strips naked in winter—the opposite of people. Forest sings and sighs, moans and hums. Voices legion, connected millions: leaves in windblown tremble; gray-brown trunks hushed as soldiers, some kissed by sun, some drowned in shadow; rain whisper and thunderbowl” (32).
It is evident that Darrin Doyle, author of the book Let Gravity Seize the Dead has a deep appreciation for nature. He describes the outdoors with such detail and respect you feel that you are deep in the thick of it. He speaks of it with human-like qualities, as if it were a living, breathing person with a past and feelings. And while these aspects give the book life and beauty, Doyle’s novel also evokes a sense of eeriness that leaves the reader with a chill that is hard to shake even after the words on the page end. This chill gets even more sinister as past and present intertwine and weave a story that transcends beyond time, leaving us encased in these vivid descriptions of nature with the question: “why?”
0 Comments
Most of us are familiar with the concept of the seven deadly sins: gluttony, envy, wrath, lust, sloth, to name a few. Alice Kaltman embraces these sins—along with their virtuous counterparts—in her short story collection, Almost Deadly, Almost Good. She personifies the sins in her complex characters while exploring an equal number of virtues. Her stories depict the tragedies and triumphs of human nature. Characters embodying gluttony, envy, and wrath seem to be in a constant state of inner conflict and turmoil while those who practice kindness, humility, and patience have better outcomes.
While it’s typical for media to display love under rose-colored lenses, The Geography of First Kisses by Karin Cecile Davidson shows the in-betweens of romance. Davidson reveals the love, loss, and nostalgia of relationships through the use of fully realized characters and descriptive language. With each short story, the characters feel close enough to the reader’s heart that it’s easy to trick the brain into thinking the whole book was about them from cover to cover.
It’s not every day that people run to the Northwoods, particularly in the Wisconsin region, for safety and stability. Yet it proves itself to be the perfect backdrop for Jill Stukenberg’s News of the Air. In this novel, Stukenberg paints the picture of a near future with repeated violent protests flooding the cities and wildfires rampaging the rest. In what starts off with a similar feel to The Handmaid’s Tale, Stukenberg details the journey of a young family, especially the mother, sacrificing the pleasures of city life for a new, safer life in the woods where her daughter can stretch her legs and peace can envelop them all. However, as life goes on, the daunting realization creeps up that trouble is everywhere and that running away from your problems often creates new ones, maybe even ones that you can’t run from anymore.
From page one, author Julian Mithra demonstrates a mastery over various literary formats: poems, short stories, newspaper and magazine articles, textbook excerpts, and more. Mithra uses each form a number of times, using and subverting conventions to draw the reader deeper into the fictional town of Goldened, Colorado. The result is a town, complete with people and history, that comes to life with each new page and imagined document, making you feel like you’re unearthing a lost shard of history. Giving voice to voiceless rocks, moles, and other dwellers of the dirt, Unearthingly had me digging deeper and deeper with each imaginary document.
|
Archives
May 2025
Categories
All
|
RSS Feed
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 [email protected] |
All Content on this Site (c) 2025 Glassworks
|