Review: Brassbones and Rainbows
by Jason Cantrell
Brassbones & Rainbows
2Leaf Press, pp. 120
Shirley Bradley LeFlore’s debut poetry book, Brassbones and Rainbows, is a vivid collection that uses a musical voice to address political and social issues. LeFlore’s word choice throughout her poems evoke the feelings of gospel and blues, and when reading the poems you don’t hear the writer’s voice speaking to you; it shouts and sings with passion you can feel in every line.
Many of the poems in the collection are written in a voice that shouts from the page, making one picture the poet as one who is fighting against being silenced. While the words in the poems don’t specifically say who or what is trying to silence the poet, the undertone of racism and prejudice stands out as the ideology the poet is preaching against. The need to shout out loud and be heard is perhaps best expressed in the closing lines of her poem “Brass Reality,” which reads, “you can bury me in the east / you can bury me in the west / but I’m gonna rise-up and be a TRUMPET in the mawnin.” A reader might recognize these lines, and a Google search of them reveals similar lines in a gospel song, “You May Bury Me in the East.” LeFlore changes the message of the gospel in a simple yet riveting way. The gospel song repeats lines about Christians longing to fly away, and one memorable set of lines reads, “You may bury me in the east / You may bury me in the west / But I'll hear the trumpet sound / In that morning.” The line in the gospel verse indicates that the trumpet sound, playing somewhere off in the undefined distance, signifies hope with each new dawn. LeFlore’s poem, on the other hand, boldly declares that she won’t be waiting to hear the trumpet, but instead will rise up and be the trumpet, playing out loud to spread that hope.