The past can fill the soul with sweet nostalgia, but it can also fill the mind with memories it would rather forget. Alison Hicks’ latest poetry collection, Homing, is a treasure trove of recollections brimming with the brightness of childhood, the solitude of being an outsider, and the beauty of creation in all forms. Through natural and man-made environmental themes, Hicks soars across planes of joy, loneliness, and womanhood by constructing scenes that not only help readers ponder the mysteries of our habitats, but also the mysteries within ourselves.
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Human life mimics nature’s seasons and their complex tensions. Sometimes it is an easy and mild transition into a new phase. Other times, it is a violent and distinct change that leaves one feeling ill prepared and unsettled. More commonly, it is a slow transition filled with inconsistency and wavering.
Annette Sisson skillfully weaves the complexities of grief throughout her poetry collection, Winter Sharp with Apples. The book’s title is a reminder that even in bitter times, such as a sharp winter, life will present moments of hope and sweetness, as depicted through the image of the apple.
It’s an interesting experience, being a Black woman. Traversing this world born as two marginalized identities, not receiving support from either at the same time. When standing up for ourselves we are painted as aggressive, too passionate, perpetually angry, the villain. The experiences of being a woman differ globally but there seems to be a consensus that being a woman entails some sort of suffering at the hands of patriarchal society. At least that’s how it is explored within white women’s spaces. Albeit true, when Black women come into these spaces to impart their own experiences being a woman coupled with being Black, suddenly we are shunned. Suddenly we don’t know what it’s like to be a woman because we are Black. What they refuse to realize is that our womanly experience is unique. It’s beautiful, it's painful, it’s joyous, it breeds community. This is explored within Angelique Zobitz’s poetry book Seraphim.
Have you ever found yourself in the position of talking out loud to yourself all the while hoping some external force can hear you? Maybe there’s a motive behind talking out loud, maybe, just maybe someone or something is listening. In Tell This to the Universe, Katie Prince delves into the deeply human desire to impose order on the world through knowledge. She combines science, mathematics, astronomy, and language as metaphors for our intellectual attempts to understand the universe. Yet, running through these poems is a countercurrent of chaos, reflected in her stream-of-consciousness style, which suggests that while we seek answers, both the cosmos and our own minds resist such clear-cut resolutions.
The biggest question we as humans can ask is: “Why?” The contemplation of our mortality frequents art in many forms, and Grzedorz Wróblewski’s poetry not only contemplates the human experience, but also discusses what it means to exist in our current society. His writing sheds light on topics like capitalism, heteronormativity, and the normalization of violence in a way that is new and abstract. The reader must want to actively seek out what the meaning of each poem is and, by doing so, they become closer to the topic that Wróblewski selected to discuss.
Grzedorz Wróblewski’s Dear Beloved Humans, is a collection of poems spanning multiple decades of authorship. Born in Warsaw in 1962, Wróblewski grew up in the creative communities and culture of Poland where he began his career as a poet and artist. In 1985, Wróblewski emigrated to Denmark, prompting a shift in perspective and a new form of inspiration for his poetry. As I read through this collection, I found myself understanding the turmoil that Wróblewski felt over the course of his life and the humorously analytical and at times nihilistic way in which he portrayed his surroundings in his writing. |
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