It’s an interesting experience, being a Black woman. Traversing this world born as two marginalized identities, not receiving support from either at the same time. When standing up for ourselves we are painted as aggressive, too passionate, perpetually angry, the villain. The experiences of being a woman differ globally but there seems to be a consensus that being a woman entails some sort of suffering at the hands of patriarchal society. At least that’s how it is explored within white women’s spaces. Albeit true, when Black women come into these spaces to impart their own experiences being a woman coupled with being Black, suddenly we are shunned. Suddenly we don’t know what it’s like to be a woman because we are Black. What they refuse to realize is that our womanly experience is unique. It’s beautiful, it's painful, it’s joyous, it breeds community. This is explored within Angelique Zobitz’s poetry book Seraphim.
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Author Jessie Van Eerden is not content to offer simple or comforting conclusions about faith; instead, she presents prayer as a practice that can be both comforting and uncomfortable, both a yoke and a feather. Her latest book, aptly titled Yoke & Feather, is an intimate collection of braided and lyrical essays that weaves together themes of spirituality, identity, and the search for meaning in the mundane.
Most of us are familiar with the concept of the seven deadly sins: gluttony, envy, wrath, lust, sloth, to name a few. Alice Kaltman embraces these sins—along with their virtuous counterparts—in her short story collection, Almost Deadly, Almost Good. She personifies the sins in her complex characters while exploring an equal number of virtues. Her stories depict the tragedies and triumphs of human nature. Characters embodying gluttony, envy, and wrath seem to be in a constant state of inner conflict and turmoil while those who practice kindness, humility, and patience have better outcomes.
“What is a soul?” In the beginning of Ellen Cooney’s One Night Two Souls Went Walking, the narrator, a hospital chaplain, brings our attention to this curiosity and, throughout the novel, explores situations that shed light on this inquiry as she interacts with her patients and coworkers in the medical center. As Cooney takes us through the young chaplain’s journey on her night-shift rounds, the reader takes a look at some of the hypotheses to that very question: What is a soul? One Night Two Souls Went Walking is written in a diary-entry-esque form where the narrator expresses herself in a straightforward, conversational manner. At times, this style of writing was difficult to understand, causing me to go back and reread a sentence or phrase; but it gave the narrator an authenticity that felt natural in speech. Each chapter is written like its own short story; most chapters, specifically the ones in the beginning of the book, have the ability to stand on their own and give potential readers a gist of what the book is about.
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