Rebecca Spiegel's debut memoir Without Her is subtitled "A Chronicle of Grief and Love," and you feel both in impressive measure. Throughout the book, Spiegel pieces together the events leading up to and following her sister Emily’s decision to take her own life. Grief and love are vulnerable fields to till when someone is disclosing to an audience. However two perhaps even more powerful and more vulnerable themes run through Spiegel's work: regret and blame. Unspoken emotions can weigh the heaviest when working through a tragedy because they aren’t the emotions that we’re supposed to feel: inconsolable sadness, heartwarming memories of the person who’s been lost, an appeal to the senselessness of it all. These are the societally prescribed ways that we should talk about our lost loved ones. What makes Spiegel's narrative unique is how she comes to terms with the emotions that have no useful manual for traversing this kind of loss: How could Emily do this to herself? What if I had done something differently? What if I’d done something differently my whole life? What if I had something to do with Emily’s death? How can I ever be at peace if I never know the answers to these questions? Spiegel's courage to open up to her readers and bring them along in her journey makes for both a compelling read and an impressive examination of the kind of difficult questions that need to be confronted to heal.
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As with any book review, I know I have an obligation to remain professional in the following paragraphs. But Juniper Fitzgerald forces me to be personal in every letter that bleeds through the choreographed motion of my fingertips on this keyboard. I almost want to conduct this as an open letter to Juniper, a “thank you” note that wouldn’t be nearly as impactful as I hope it could be. But that wouldn’t be fair to Fitzgerald or her story, or to the stories of Jean, and Cassandra, and her Grandma, and Theresa, and Diana, and Marita, and Anita, and Dakota, and Andi, and Jennifer.
Trigger Warnings: Sexual abuse/assault, sexism, sexual violence, consensual yet gore sexual descriptions.
Katya Zinn’s first published full-length collection of stories, essays, and poems, titled Manic Depressive Pixie Dream Girl, is an extreme exercise in examining the damage done to women by capitalism, social constructs, neurodivergence, and the patriarchy—to name a few.
Zinn is hardly the first woman to notice that gender—and the stereotypes it forces people to contend with—can have a tragic impact on females. Women, after all, are statistically far more likely to be sexually assaulted, have undiagnosed mental illnesses, and be victims of intimate partner violence. Zinn’s collection, which is broken into multiple parts, touches on all of these circumstances.
After seeking help from numerous doctors and specialists, Esme Weijun Wang couldn’t shake the feeling that something was being missed.
Finally, there was a breakthrough during her college years when she was first diagnosed as bipolar the summer before she left for New Haven. And then when her medical records were sent to Stanford she explains, “In the referral authorization itself, I was listed as having two diagnoses: schizoaffective disorder, bipolar type and idiopathic peripheral neuropathy. There was no mention of fibromyalgia, complex PTSD, dysautonomia/POTS, chronic Lyme disease, or any of the other diagnoses I’d received over the years” (185). Esme Weijun Wang’s 2019 essay collection The Collected Schizophrenias is an engaging journey that deals with a serious topic. The book does a thorough job of educating the reader in this area of health that is commonly misunderstood. The relationship between the author and the text is beautifully captured by including both clinical information and her own personal struggles and triumphs.
In her debut poetry collection, i shimmer sometimes too, Porsha Olayiwola shares powerful odes to the world that has shaped her identity through the use of honest and suspenseful imagery, creative form, and relatable motifs in today’s society.
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