After seeking help from numerous doctors and specialists, Esme Weijun Wang couldn’t shake the feeling that something was being missed.
Finally, there was a breakthrough during her college years when she was first diagnosed as bipolar the summer before she left for New Haven. And then when her medical records were sent to Stanford she explains, “In the referral authorization itself, I was listed as having two diagnoses: schizoaffective disorder, bipolar type and idiopathic peripheral neuropathy. There was no mention of fibromyalgia, complex PTSD, dysautonomia/POTS, chronic Lyme disease, or any of the other diagnoses I’d received over the years” (185).
Esme Weijun Wang’s 2019 essay collection The Collected Schizophrenias is an engaging journey that deals with a serious topic. The book does a thorough job of educating the reader in this area of health that is commonly misunderstood. The relationship between the author and the text is beautifully captured by including both clinical information and her own personal struggles and triumphs.
In her debut poetry collection, i shimmer sometimes too, Porsha Olayiwola shares powerful odes to the world that has shaped her identity through the use of honest and suspenseful imagery, creative form, and relatable motifs in today’s society.
A Deep Dive Into Familial Relationships
Review: The Deeper the Water the Uglier the Fish
Two Dollar Radio, pp. 353
Cost: $16.99 (paperback)
In Katya Apekina’s novel The Deeper the Water the Uglier the Fish, relationships are used to emphasize characterization and create drama within the story. In particular, the novel examines father-daughter relationships, mother-daughter relationships, husband-wife relationships, and artist-muse relationships. Told through numerous first person accounts in the form of narratives, letters, phone conversations, and interviews, Apekina provides the reader with an in depth, up-close look at the intimate intricacies of these relationships and their meanings. The unique structure of this novel allows the reader to see each character’s internal and external struggles and conflicts. These accounts in various forms help create strong characterization and drama within the story.
The Pain of Living
Headmistress Press, pp. 30
Sarah Caulfield's words dig beneath our flesh and go straight to the bone in her collection of poetry, SPINE (2017). Caulfield’s first book beautifully weaves together powerful images of blood and bone, plus themes of religion, chronic illness, and guilt, pulling on the reader's heartstrings and commanding empathy. The repeated themes make it clear that these topics are very important to Caulfield, and are ones often swept under the rug instead of spoken about in society.
The collection was titled after it was pointed out to Caulfield that “spine” is the most used word throughout the entire work. The spine is the center of the body, and when it hurts, it becomes hard to operate under the expectations of society. Similarly, the spine plays a focal role in the collection, as Caulfield reinforces within her poem “To the Girl I Was” when she writes, “My spine is made of beach glass. It will withstand.” Caulfield’s spine is strong, readers will agree, after reading through her collection and understanding the narrator’s struggles.
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