Jeff Fleischer’s collection of short stories, Animal Husbandry and Other Fictions, experiments with adding a healthy dose of magic to create a sort of modernized mythos. While not included in every story, the majority weave mysticism, fantasy, or both into otherwise grounded stories—little girls making deals with witches, a king of the cats, and multiple varieties of the classic talking animal. This push to expand the “acceptable” boundaries of magical realism in fiction ultimately allows Fleischer to convey a wider array of narratives that, had he gone an entirely realistic route, likely would have come out rote and structurally similar to many other short fictions.
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“Change is the only constant,” Chelsea Stickle writes in “Worship What Keeps You Alive”, the first flash fiction piece of her chapbook. This quote perfectly encapsulates Everything’s Changing, where nothing’s as it seems. The world has changed and the possibilities are endless in Stickle’s book, but one thing is as prevalent in this book as it is in society, and that’s the struggles of women and girls. Stickle uses absurdities throughout the book to tell stories, depicting women attempting to navigate a world that doesn’t like nor respect them. The problems women face are often overlooked, but Stickle reimagines these problems and tells them in a way that’ll have readers begging for more.
Most of us are familiar with the concept of the seven deadly sins: gluttony, envy, wrath, lust, sloth, to name a few. Alice Kaltman embraces these sins—along with their virtuous counterparts—in her short story collection, Almost Deadly, Almost Good. She personifies the sins in her complex characters while exploring an equal number of virtues. Her stories depict the tragedies and triumphs of human nature. Characters embodying gluttony, envy, and wrath seem to be in a constant state of inner conflict and turmoil while those who practice kindness, humility, and patience have better outcomes.
While it’s typical for media to display love under rose-colored lenses, The Geography of First Kisses by Karin Cecile Davidson shows the in-betweens of romance. Davidson reveals the love, loss, and nostalgia of relationships through the use of fully realized characters and descriptive language. With each short story, the characters feel close enough to the reader’s heart that it’s easy to trick the brain into thinking the whole book was about them from cover to cover.
Caitlin Vance’s debut short story collection simultaneously stuns and alarms audiences. The Paper Garden’s stories are separate pieces of fiction that instantly draw the reader into their unique and memorable world. The stories range from children’s experiences comprehending the world around them, realistic queer romances, reimagined biblical passages, and stories blanketed in a fresh take on mental illnesses. Where Vance truly shines is utilizing her obscure yet easily understood metaphors, and her ability to transform her character’s voices into meaning that embodies each reader's unique circumstance. Regardless of some of Vance’s collection being centered in a fantastical version of reality, she also utilizes her writing to make light of undeniable truths about religion, relationships, gender, love, and societal norms. What Vance is truly putting forth through her writing is the idea that nothing should be taken at face value, and everything should be questioned for its supposed authority and validity.
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