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Review: Haute Surveillance

1/20/2014

Inventing Reality
Review: Haute Surveillance

Katlyn Slough

Haute Surveillance
Johannes Göransson
Fiction
Tarpaulin Sky Press, pp. 191
Cost: $16.00

Johannes Göransson’s second novel, Haute Surveillance, first introduces his nameless narrator in the midst of confusion: he immerses his readers in a world of grotesque and vivid imagery, of “a thousand mute actresses with their mouths full of jewelry,” of a “cutting room” that is “full of soldiers masturbating.” He places readers in his piecework of violence, sex, art and emotion, in short snapshots of unexplained events, and leaves them scrambling to find their way out. Readers get one companion, one true character: an unreliable, determined, and probably insane narrator, and the reader slowly realizes this world is the narrator’s own.

Göransson makes it clear from the very first page that the reality of the situation isn’t important, what is happening isn’t even important. The ideas are.

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Review: In Times of Fading Light

1/20/2014

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Humanity Behind the Wall
Review: In Times of Fading Light

Joseph F. Berenato

In Times of Fading Light
Eugen Ruge, Translated by Anthea Bell
Fiction – Novel
Graywolf Press, pp. 308
Cost: $26.00

My generation comprised the last of the Cold War Kids, and the Communist Bloc was still a very real thing during my childhood. It didn’t matter if we were talking about soldiers or scholars, presidents or peasants; any person beyond the Berlin Wall was the enemy. It was inconceivable to us that anyone who lived on the other side of the Iron Curtain could be painted as anything but “Godless Communists”. Yet that is exactly what Eugen Ruge did in his out-of-the-gate hit In Times Of Fading Light, which spans almost sixty years of family and national history.

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Review: All of You on the Good Earth

1/20/2014

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An Ode to the World
Review: All of You on the Good Earth

Stephanie M. Kohler

All of You on the Good Earth
Ernest Hilbert
Poetry
Red Hen Press, pp. 96
Cost: $16.95

The sonnet has been given new life. It mulls over existence in loneliness and in the dingy places, people, and pastimes we often overlook. In All of You on the Good Earth, Ernest Hilbert uses this traditional form as a vehicle to tackle the ancient question, what am I doing here? Sometimes the place is real, West Philadelphia or New York, but no matter the setting, the speaker has the same agenda: to observe, to pick apart, to make sense, to come to a conclusion about his surroundings. As humans and as thinkers, this is what we do, Hilbert suggests.

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Review: Haute Surveillance

Review: In Times of Fading Light

Review: All of You on the Good Earth

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