In his debut novel without anesthesia, Pedram Navab is able to construct a narrative with an intense urgency to connect plot lines and make meaning of his characters' obsessive practices to claim identity. The multi-genre narrative is structured with three major threads: Adrien, a doctor who falls in love with a cadaver; Tess, a med student desperate to connect with her patients and become the best doctor she can be; and a failing actor who desperately seeks an audience. While these threads interweave creating a cohesive story, a narrative in the background reveals itself as a symbol of each character’s identity struggles.
The psychiatrists were left scratching their heads. They could not understand how such a polite person who seemed together could commit such a heinous crime. They walked away empty-handed. From the time a reader encounters the first sentence in Alexandra Chasin’s Brief, “I have requested an oral argument because I’d like to try, if I may, why my representation and I have chosen this defense, uncommon though it is, and why I would take issue with the psychiatrists’ findings,” he knows there is something wrong. Our narrator seems a little off and eventually we understand why. But at the heart of Brief is a narrator who is trying to change our outlook on how we perceive other people.
Reading Brief is an experience unlike any other. It is the first book that can be downloaded as an interactive app that changes with every read and reread of each page. The pages inside are littered with torn magazine images that feel as though they came from the '60’s. If you flip forward a page, but then need to go back again to re-read, the page you have just left is not the same. The images have changed and so has the layout. Each new read will be a different experience for the reader. This idea of book construction is so unique that it is sure to be soon copied.