The woman running for her life from a man in a park. The girl who passes out at a party after a tainted drink. These are familiar stories we’ve been exposed to time and time again in the media. In fact, they’re so common they border on cliché. We’re under the impression there is nothing left to say, but there’s still, for a lack of words, fresh blood in these stories.
Jacqueline Doyle’s debut chapbook The Missing Girl features a collection of stories about the threats women face. From rape to questionable encounters, Doyle’s genius is that through her flash fiction pieces, she relies on our societal knowledge to fill in the blanks of her finely drawn bits of terror; and through them reminds us that for women nothing and nowhere is safe.
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In Harriet Lane’s debut novel Alys, Always, the reader is introduced to the narrator Frances Thorpe—a thirty something copy editor for a failing London magazine who stumbles on a car accident one night when returning home from visiting her parents. Frances’s actions in the beginning of the novel mimic those of an innocent do-gooder—a person who stops at the sight of an accident, and discovers a victim hidden by the darkness, buried beneath the crushed metal of her vehicle. Frances attempts to comfort the victim, who later introduces herself as Alys, while waiting on the ambulance to arrive. Frances is unaware of Alys’s injuries, and sits with her during her final moments of life—unable to do anything to save her. After Alys dies, Frances returns to her home, haunted by the woman’s death. Once home she takes stock of her surroundings and comments, “You’re not so badly off, are you?” convincing herself that her basic needs have been fulfilled.
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