Jude Ezeilo’s heartwarming introduction to America provides a new ethical and moral viewpoint to the country that Americans are accustomed to today. Welcome Home: A Memoir is an exchange between Ezeilo’s past and present selves, both working toward obtaining United States citizenship. Arriving at such a young age from his home country of Nigeria, two-year-old Ezeilo soon discovers the work and dedication it takes to achieve the American dream.
1 Comment
M.M. Wittle's creative non-fiction chapbook Three Decades and I'm Gone is her personal story of the author losing her father in her first decade of life, her mother in her second decade, and nearly losing herself to her grief in her third decade. The story is mostly written in a linear sequence of vignettes of prose poetry with some traditional stanza poetry. This treatment of memoir in a chapbook/poetry form gives the popular genre a compact, accessible feel. One can take the tragedy of each decade piece by piece and still experience the fullness of the story because each bit is an independent thought or feeling that supports the story as a whole.
“Dogland: A Journey to the Heart of America’s Dog Problem” by Jacki Skole, the term “Man’s Best Friend” takes on a whole new meaning. Skole uses her journalism background and her love of animals to shed light on a topic that hits home for just about anyone who has ever brought a dog into their lives. It is during her search to find out the history of her recent four legged family addition, her dog Galen, that Skole begins to uncover something unfortunate: the truth that many dogs face once they arrive at a shelter and the urgent need for change in the animal shelter system.
With the open information attitude and international connectivity brought on by the Internet age, women are challenging what it means to be wife, mother, and daughter, raising their voices to share their stories and capture the imaginations of young girls internationally. Few express this better than Mary Woster Haug, author of Daughters of the Grasslands: A Memoir.
She claims that tradition and honor are the chains that bind girls to the same limited resources that their mothers and grandmothers have struggled with. In order for girls to fight these concepts, they must often turn against their own mothers, or feel as though they are: Not a battle for the faint of heart. Raised on the grasslands of North Dakota, Haug is a modern woman born from tradition. A self-proclaimed feminist, she tells of her personal evolution away from the values that buoyed her own mother, and Haug’s effort to escape the judgement she read so plainly in her mother’s features. Haug runs all the way to South Korea, taking a year-long professorship at the University in Daejeon. What she discovers is that mother-daughter conflicts are universal. Instead of escape, South Korea is more a harsh emersion into the tensions Haug never wanted to face.
If one were to look back on a life as collected memories, how would those memories be recalled? Elroy Bode's memoir, El Paso Days, shows that life is relived not chronologically, but randomly, as recollections and experiences, joys and sorrows. The author takes the reader on a pinball ride, bouncing between his life as a teacher to the ennui of retirement. It is an anthology of moments, collected fragments of time and space.
The title leads the reader to anticipate a memoir about life in Texas, a literary landscape of arroyos and tumbleweeds. While El Paso is the backdrop, the book is a memoir of a piece of Bode's life, a nonlinear autobiography, seasoned liberally with the author's musings about life, death, and the cosmos. The reader travels across the timeline of Bode's life, stopping to observe a remembered event here, a cherished vision there. He explains in the opening note that his book is "a journal of thoughts, scenes, happenings, sort of month by month: not a record of a specific year but a kind of recent generic year." Through these scenes and thoughts we see a portrait of the author, somewhat abstract, with pieces missing, owing to the prevailing undercurrent of loss. |
Archives
April 2024
Categories
All
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 glassworksmagazine@rowan.edu |
All Content on this Site (c) 2024 Glassworks
|