In her memoir Sacred Groves: Or, How a Cemetery Saved My Soul, Kathleen Davies examines the concept of identity through the lens of a novice female professor. Through her experiences as an outcast and stepping into new territories, Davies finds her purpose in life—ironically in a Victorian graveyard. The cemetery magically holds parallel to her internal battles in ways that are enlightening and serve as a heaven on earth in a world full of uncomfortable encounters. Not only does her muse scream at her, surrounded by mesmerizing architectural beauties in nature, but she has a self-awakening among her observations. Told with poems, witty snippets from her journey, and photographs of headstones and mausoleums taken with her own camera, Davies breathes life into the inanimate statues and lifeless tombs, making the local graveyard her “feminine space,” almost like a garden. By describing such a serene place using textures and voiced appreciations, Davies not only provokes imagination for herself, but also for the reader. She remarkably navigates through the unknown and speaks her truth with such vulnerability, revealing that through suffering, humans often find hidden truths.
In this current climate of the #MeToo movement, women across the globe are fighting back against sexual harassment and assault by pulling back the curtain of shame, stepping out of the shadows, and sharing their personal stories. Author Patricia “Pat” Cumbie bravely adds her voice to this critical discourse with her memoir, The Shape of a Hundred Hips.
In Jennifer Battisti’s first chapbook, Echo Bay, we meet a multifaceted and singularly articulate girl and woman, raised on the fringes of the Las Vegas Valley, navigating the complexities of memory with moving poetic detail. The speaker is at once enrapturing and unabashed, exploring adolescence, marriage, motherhood, and grief with both precision and universality. Through Battisti’s unique perspective, we examine the shaded, much less glamorous fringes of the Las Vegas Valley, just as we are presented with the much less idealized aspects of motherhood and marriage. Battisti’s profound work fosters an intensity of emotion which ranges from despair to joy to acceptance as the speaker searches for the freedom of letting go.
Some people seamlessly accept the maturity and responsibility that comes with adulthood. Some of us call our moms a lot. Some dig their heels into the ground with the resistance of a toddler heading to time out. Chloe Caldwell, by certain definitions, is the latter. Caldwell’s latest essay collection, I’ll tell you in person, includes lengthy but devourable essays about some of her craziest decisions, most obstructive and devastating problems, major disappointments, and the relationships that got her there.
Jude Ezeilo’s heartwarming introduction to America provides a new ethical and moral viewpoint to the country that Americans are accustomed to today. Welcome Home: A Memoir is an exchange between Ezeilo’s past and present selves, both working toward obtaining United States citizenship. Arriving at such a young age from his home country of Nigeria, two-year-old Ezeilo soon discovers the work and dedication it takes to achieve the American dream.