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  • Current Issue
    • read Issue 31
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    • fall 2025
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GLASSWORKS

Cross-genre before it was cool

1/20/2014

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by Amelia Thatcher
Genre seems like a rote device, four solidly identifiable modes of writing: fiction, nonfiction, poetry, drama. But long before writ- ers added hyper- links and embedded video to their work and called it mul- tigenre, tangible changes were un- derway to subvert rigid methods of expressing oneself. From gothic fiction to the invention of political science, writers were more inventive than any traditional view might hold.

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Blogging: the Post-Memoir

1/20/2014

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by Christina Schillaci
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blogger.com
The idea of the memoir has evolved beyond its former printed self. A traditional memoir details the personal accounts of one’s life in a book or a short story. While blogging follows this idea, the style is looser and written in a series of online entries that are updated regularly, giving bloggers the ability to add to ongoing conversations that are currently popular. But what makes these blogs interesting enough to read? 

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Google Poetry, Authorship, and Copyright

1/20/2014

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by Jason Cantrell
In October 2012, a poet named Sampsa Nuotio created a site called “Google Poetics,” which posts submissions by poets from around the world, each of which is created in a nontraditional way. Each submission is derived from Google’s autocomplete suggestions, which appear when any Google user is typing in a search phrase. The suggested searches are predictions about what a user might be searching for, based on common searches performed by other users:
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Screenshot of a Google search suggestion.

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