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by Chloe Joy  One of my guilty pleasures is bad romance movies. Bonus points if they are Christmas-themed or feature a person from a big city forced to travel to a small town and fall in love with a local. If both tropes are used? Immediately my favorite movie of the year. I love them so much because they’re not meant to be taken seriously nor reflect our real lives, so I often let my suspension of disbelief hang. The main leads say “I love you” after knowing each other for a few days? Sure! One big speech at the end can wash away the trauma one character brought upon another? I’m eating it up!
However, nothing gets under my skin more than the inaccurate portrayals of the publishing industry in these movies. Many romance movies have a B plot that focuses around the publishing industry (because publishing and struggling writers are just so sexy), and they almost always end with a fairy tale dream success story. I’m tired of this dominant, false narrative prevailing through the media, making publishing look easy, because if you’re a writer or aspiring editor like me, you know it’s anything but easy.
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by Courtney R. Hall
by Allison Padron For some, the words "literary fiction" brings up images of tweed jackets, learned academics, dinner conversations over wine, and personal libraries filled with only the finest of literature. The "literary" label is usually applied by critics to novels considered so intellectual, so linguistically beautiful, and so meaningful that they apparently need to be separated out from the mass-market, "mindless" genre novels. The debate about the distinctions between genre fiction and literary fiction still rages (as it likely will for many more years), with some classifying literary fiction as an entirely different genre, others as a continuum with genre fiction, and still others saying the "literary" quality is something that a novel of any genre can possess. From everything I’ve read on the subject, though, no one seems to have come up with a clear definition of literary fiction (other than "not genre fiction"), which begs the question: why call anything literary fiction at all?
by Gianna Forgen  Photo by Annie Spratt on Unsplash When I was in elementary school, I read all the time. I vividly remember, during a snack break, I had become so entranced by my book that I had missed my teacher calling my table for our turn to use the bathroom. I remember, too, the look on her face, probably wondering if it was worse that I hadn’t listened, or worse to chastise me for reading.
Back then, it felt like everyone loved to read. When we filled out posters at the beginning of the school year detailing our hobbies, two took precedence above all others: reading and writing. As students, we had to read, of course, but it seemed like everyone still enjoyed it, at least the kids in my class. In elementary school, a boy I was friends with and I read the entire Harry Potter series at the same time–he finished Deathly Hallows only fifteen minutes before me. He was one of the most voracious readers I knew.  by Courtney R. Hall
Celebrity memoirs and autobiographies are nothing new. They act as a fruitful branch of a celebrity’s branding arsenal and are a cash cow for publishers. Spanning decades, it’s been a commonly held belief that many, if not all, of these memoirs were written by an unnamed third party, a ghostwriter. These publications would be seen as a piece of PR material created for super fans, full of fluff like a celebrity's go-to salad that they would consume daily on the set of the television program that made them famous. However, there is a shift occurring in the world of celebrity memoirs and those with fame taking control of their own narrative. Some celebrities have raised the bar for what constitutes a great celebrity memoir in an era where social media blurs the distinction between privacy and publicity and shortens the gap between stardom and the unfamous. In a post #FreeBritney culture, the public is aware of how destructive and misleading both the paparazzi and media are towards celebrities, especially those that are women. Fans are tired of being spoon fed fluff. What they now crave is authenticity. |
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