by Georgia I. Salvaryn
It has long been debated whether audiobooks are better than traditional books and e-books, but it is an argument that has no end. While some people believe audiobooks are eventually going to take over the reading world, others believe traditional books and e-books will have a long-lasting existence and influence on the book-loving community. Eventually, one’s use of audiobooks or print media comes down to two factors: ease and enjoyment.
In Dina Folgia’s opinion editorial Why the Future of Writing is in Audio, she discusses the revolutionary addition of audiobooks and storytelling podcasts to the literary world and the growing popularity of this form of “reading.” She argues that readers will eventually turn to audio for better entertainment and for convenience (i.e., a reader can listen to their favorite actor read their memoir while driving to work.) Her conclusion:
It’s no secret that print media is on the out. It will never go away, not completely, but the shift to the digital sphere has removed the emphasis from physically published content. Audio has already begun to breathe new life into old genres like horror, and is extending far beyond the conversational sphere and into the world of narrative. Writers would be foolish to overlook this massive new platform for creativity.
While I agree that this electronic medium is on the rise, I do not believe that it will kick print media to the curb.
by Dina Folgia
When I was a child, I existed in a world ruled by print. If I wasn’t consuming media that had a front and back cover, chances are I wasn’t consuming it at all. I indulged in the occasional cartoon, maybe a movie or two every now and again, but by the time I was twelve my library of books far outweighed my library of DVDs. I was insatiable, unshakable, and I couldn’t picture myself growing up to craft anything besides literature.
As I entered into my college experience and began to study writing as a possible career path, however, I was faced with a dilemma. After spending four years studying and dedicating myself to the craft, I began to grow complacent in the area of print media. It seemed like all my creative writing-based classes were teaching the same things, and that was based in creating publishable material and helping writers grow a thick enough skin to brave the cold, uncaring world of print writing. It wasn’t until I added on a media writing concentration and took several Radio, TV, and Film classes that I began to realize why I—and many of my peers—had grown so incredibly tired of print.
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