by Steve Royek
The professional football career of Richie Incognito is probably over and he faces a life of being known as the white player who harassed black teammate Jonathan Martin with threatening and racist texts and voice messages.
Could he, however, soon be trading in his orange and turquoise Miami Dolphins’ uniform for an orange prison jumpsuit?
If Oliver Wendell Holmes Jr. had his way, he just might.
Of all the names swirling around this sad, salacious scandal of language-based threats and violent rhetoric, one of the most interesting might be that of the former U.S. Supreme Court justice. Holmes authored the landmark 1919 “Schenck v. United States” opinion that set legal guidelines for violent speech with the often-quoted “shouting fire in a theatre” analogy. “Schenck” was the first high court ruling to carve out an exception to the once-absolute Freedom of Speech protection in the Bill of Rights.
by Christi Fox
Among many tools available to fiction writers while working on a project is a writer’s workshop. Workshops are available in many different genres, including poetry workshop, fiction workshop and creative non-fiction workshop, just to name a few. As a graduate student, pursuing my MA in Writing, I’ve taken a number of workshops and in my own experience they’ve been useful to some degree but there were times when they’ve led to nothing but frustration due to battles among workshop peers as to what should or shouldn’t be in the piece I was currently working on. This led me to ask the question, are workshops helpful or harmful?