by Connor Buckmaster
For decades now, the study and practice of writing has been on a revolutionary roller coaster. Leaps in pedagogy surrounding college composition classes, translanguaging, and collaborative learning have changed the way college students today learn and produce writing. At the same time, the (dated) values of Standard American English, the five paragraph essay, and the thesis statement are still upheld in many pockets of American public schools. We wonder why Americans struggle to write, and there seems to be a host of answers: an inability to construct sentences, a fundamentally bad approach in teaching how to read, and a school culture which rewards surface learning and quick responses, viewing texts as inert information rather than an argument. The more and more we look, America seems to be in a literacy crisis.
by Edward Benkin
These have indeed been trying times. A global pandemic, a heated political environment, and social unrest have led to one of the most stressful climates in decades. In addition to the physical toll from Covid, the mental health of many have been affected in a way many Americans have never experienced in their lifetimes.
The cure? Write, write write.
There has never been a better time to sit down in front of your computer (or your desk with a pen and pad of paper) and write out everything from your feelings to whatever poetry or story ideas race across your brain. People have different ways to relieve stress, and writing for fun or writing out one’s fears or anxieties may just be the cure for the emotional trauma many have been going through in recent months.
by Erin Theresa Welsh
Publishing your own book is difficult. Actually, no, that doesn’t quite sum it up. Publishing your own book is stressful, time-consuming, and insanely difficult to achieve. Even if you get published, it is very unlikely you’ll become the next J.K. Rowling or Stephen King. Most average authors don’t make more than a regular mid-level salaried office position, and that's almost never off book sales alone.
If an author wants to get published, it takes a lot of hard work to achieve that finished, beautifully bound piece of work. Not only does an author need to write and complete a lengthy piece of work, but they then need to choose how to publish it.
by Taylor Blum
Ever since I was a child writing “books” in my third-grade class about a superhero cat that shot lasers out of its eyes, I knew I wanted to write novels. What I also learned growing up is that I enjoy acting and the comradery that forms between yourself and other actors on stage. After finally having the opportunity to act in college, alongside earning a BA in English and creative writing, I learned how these skills go hand in hand.
The most important thing I realized from my acting experience was how much dialogue affects my writing. Dialogue has always been so important to me–I can’t read something if I find the dialogue unrealistic or stiff. Honestly, the common mistakes of stiff, expository language makes me cringe and takes me out of the story. Dialogue is also something I realized is hard for writers to master. The good news is that when it comes to plays, dialogue is arguably the most important part. By reading a play, you can see how so much can be said with so little words, and by performing in a play, you become aware of your own voice and how conversations work. We’re often told in fiction classes to pay attention to conversations and to eavesdrop on people to understand how people talk, but this isn’t always manageable, and sometimes feels a bit weird to do. But when acting, it is your sole job to interpret the dialogue, to understand how to raise the subtext out of it, and even change the overall meaning of the words through your tone. This teaches you to understand when less is more in dialogue.
by Dina Folgia
When I was a child, I existed in a world ruled by print. If I wasn’t consuming media that had a front and back cover, chances are I wasn’t consuming it at all. I indulged in the occasional cartoon, maybe a movie or two every now and again, but by the time I was twelve my library of books far outweighed my library of DVDs. I was insatiable, unshakable, and I couldn’t picture myself growing up to craft anything besides literature.
As I entered into my college experience and began to study writing as a possible career path, however, I was faced with a dilemma. After spending four years studying and dedicating myself to the craft, I began to grow complacent in the area of print media. It seemed like all my creative writing-based classes were teaching the same things, and that was based in creating publishable material and helping writers grow a thick enough skin to brave the cold, uncaring world of print writing. It wasn’t until I added on a media writing concentration and took several Radio, TV, and Film classes that I began to realize why I—and many of my peers—had grown so incredibly tired of print.
by Mick Bratton
Writers have a tendency to conjure up the familiar term “writer’s block” as an excuse for not being able to produce content. The spewing of this writerly phenomenon, infamously treated as a common illness, is simply an excuse to not write at all—and it’s probably subconscious. We base our day-to-day lives around the world in which we experience life with our senses—our truths—and so it can be very believable that a blockage has been formed when there’s just a lack of motivation and inspiration. We need any liable subject to blame rather than owning up to our own actions. To blatantly dissect this disillusioned label and pluck it out of the book of excuses: writer’s block is a choice that has made its imprint on the world and has been alive and breathing for far longer than it should have.
by Ann Caputo
As a writer, I realize the obnoxious phenomenon known as “writer’s block” is part of the craft, a peril of the trade. But why does it settle in at the most inconvenient time, like when I need to begin writing nearly anything? There is nothing so daunting as the blank page and a looming deadline. It took me awhile to realize that my pets hold more power in alleviating this condition then I first believed.
by Rachel Barton
While I was growing up, my mother made all of my Halloween costumes. Since she was a seamstress, she took this opportunity to go all out and produce works of art. For my first Halloween, I was a tiny bride with a complicated wedding dress. Throughout the years, I dressed as a Teletubby with a light up belly, Tom and Jerry in one costume, and a princess turned ninja. Each year, my mom would ask me what I wanted to be. When I was nine, I stumped her.
by Laura Kincaid
I watch cartoons. I’m not talking about Family Guy or Rick and Morty, but cartoons created for and targeted at children. I’m not alone. Shows like Steven Universe, Adventure Time, and Avatar: The Last Airbender have garnered huge audiences from kids to teens to twenty-somethings and older. Countless blogs and video essays propose a pile of reasons why cartoons are suddenly “not just for kids anymore” like how they relieve stress, produce a sense of nostalgia, or provide life lessons useful to everyone. But when people ask me why I watch cartoons, I answer: “For the writing.”
by Mark Krupinski
“Anything and everything can be art!” is, I feel, a deceptively sinister phrase. You could substitute the rather generic “art” in this situation with your medium of choice, be it poetry, film, literature, or what have you, and the situation remains unchanged. It seems innocuous at first, even encouraging. Anything can be art; no matter how lost you may feel, no matter what vision you lack, your expression has merit. You exist and you are valid. As someone who has spent more time than perhaps he’d like to admit pacing fretfully to and fro, hyperventilating into a McDonald’s bag because the words don’t sound the way they’re supposed to, I understand. Writing is a painful, clumsy, often fruitless task, so positive affirmation is as valuable as it is rare. But there’s a danger in creating that sense of comfort, tossing standards by the wayside in favor of blind positivity and confidence. The idea that everything, every single careless, thoughtless, witless, messy, wishy-washy, meandering, pointless thing is art gives me pause.
thoughts on writing, art, & new media by glassworks editorial staFF