by Bethaney Randazzo
0 Comments
by Ellie Cameron
by Eric Noon
If all we’re to write about is our own experiences, then what room does that leave for us to learn, to empathize with, and to appreciate the stories of others? Writing about what we don’t know, the experiences we personally will never have to go through, could potentially help us to connect and build bridges with one another in ways we couldn’t see before. But as with any work of art, the court of public opinion holds a lot of sway in what is acceptable and what is not. I’m often left with the burning question of “Who can write what?
by Emily Langford ![]() As a queer, “elder millennial” who watched as personal computers suddenly took root in our homes, I experienced the rise of online fandom firsthand. Prior to the internet, my experience with fandom was a solo one, I didn’t know anyone who had the same obsessive passion for stories and characters like I had. I was the annoying kid who would, unprompted, spew out tidbits and theories about books and movies, the weirdo who was off in her own little world where all her characters existed at my day-dreamy little whims. I was tolerated at best and I eventually learned to keep my fervor to myself. I remember the first time I entered the titles of my favorite obsessions into the search bar. Suddenly, I was very much not alone. Each of my hyperfixations had a dedicated chat room or message board with other people who understood, who shared my passions. I finally found a place of acceptance. Amanda Smera Welsh
If you are a writer, especially a writer in the middle of a graduate program, you will undoubtedly encounter many craft materials through the course reinforcing the need to establish a discipline to your own writing. Sometimes, they can sound a little delusional, which was precisely my reaction when I read Robert Olen Butler’s “From Where You Dream.” It truly is the most overtold advice any writer has heard before: “You may not be ready to write yet, but when you’re in a project you must write every day. You cannot write just on weekends. You cannot write this week and not next week; you can’t wait for the summer to write. You can’t skip the summer and wait till the fall. You have to write every day. You cannot do it any other way. Have I said this strongly enough?” Yes you have, dude, now please shut up! |
Archives
February 2025
Categories
All
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 [email protected] |
All Content on this Site (c) 2024 Glassworks
|