Category: Bestseller

Trilogies are Essential (and Not Just For Profit)

6/1/2026

by Gianna Vanore

Image via Tobias Rademacher on Unsplash

“Peeta, how come I never know when you’re having a nightmare?” I say.

“I don’t know. I don’t think I cry or thrash around or anything. I just come to, paralyzed with terror,” he says.

“You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

“It’s not necessary. My nightmares are usually about losing you,” he says. “I’m okay once I realize you’re here.”

— Suzanne Collins, Catching Fire

This moment—one adored by millions of readers—in The Hunger Games trilogy is crucial, not only for the plot, but also for us to fall for Katniss and Peeta, to truly want them together. This moment is when we realized the extent of Peeta’s love for Katniss. This moment, a staple of this series, occurs in Catching Fire, the second book of The Hunger Games trilogy.

In Jordan Avery’s Op-Ed, “Trilogies Are Traps: Why Trilogies Are Bad For Storytelling,” she explains how trilogies have taken the literary market by storm, though she doesn’t see this as a good thing. Instead, she argues that the middle book (the “bridge” book, as she coins it) is unnecessary and stretches an otherwise good story too thin. She also claims that authors, instead of staying true to their craft, turn to the profit that comes from writing trilogies, even if it’s at the expense of their story.

Upon reading this, I felt a moral obligation to be the Trilogy Defender, as there are numerous trilogies other than just the mainstream ones that successfully tell their story and require a trilogy to do it well.

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Trilogies are Traps: Why Trilogies are Bad For Storytelling

6/1/2025

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by Jordan Avery

Photo by Sincerely Media on Unsplash

They’re everywhere: bookshelves, libraries, Target. Everywhere I look I find three neat novels placed one after the other on the shelf. Trilogies have taken the publishing industry by storm—and not in a good way. Although trilogies can be appealing to the commercial audience, they usually do more harm than good when it comes to storytelling. Sometimes stretching a story across three books can be the downfall of a great story.

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Booktok: A Community of Readers Rekindling My Love For Literature

1/1/2025

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by BriAnna Sankey

When you read a good book, one that leaves you absolutely stunned--all you want to do is share it with someone! Preferably someone who has already read it, and understands your emotion behind the most specific scenes. Most times though, we find ourselves calling up a friend and forcing them to stay on the phone for an hour as we explain the whole plot of the book, and continue to give a thirty minute analysis breaking down the book in its entirety. Now I don’t know about you, but my friends would probably hang up after 10 minutes of word vomit because they aren’t readers. Since I’ve joined BookTok, I’ve seen how it brings readers together in a world where they can share their excitement over popular books and new, emerging titles. This sense of community is influential to the public because everyone wants to be “in” on the conversation. FOMO is no joke.

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A Handbook For Best Sellers

2/1/2018

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by Elizabeth DiPietro

Young Adult (YA) books often get a bad rap for being shallow, underdeveloped, and cliché. There are huge bestselling series that have transcended to films and television shows that fit that description to a T, which only adds to the idea that YA best sellers are cliché money grabs that uneducated teens are desperate to consume. On August 24, 2017, one author decided to test this limit by attempting to steal the #1 spot on The New York Times Best Seller list.

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Media's Depiction of the Novel: Do We Have A Choice?

11/1/2017

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by Nicolina Givin

image credit: Pinterest

I sat on my couch on the fourth of October and flipped through the channels on my television. I caught a glimpse of Emily Blunt grabbing a blonde by the back of her head and dragging her onto the floor. The title, The Girl on the Train, flashed at the end and I was in bewilderment. “That’s a movie now?” I thought to myself. The movie was released to theaters on the eighth. I picked up the novel, which had been sitting on my bookshelf for some time, and opened the cover, ready to finally read what everyone was about to see on the big screen. I could not have the world tell me the plot and ending before I could figure it out myself; I had to finish it before the movie release. Why was I motivated soon after that preview to read the book rather than when I first purchased that book eight months prior? The answer was always sitting there on my bookshelf, but the media pushed me towards it and spoke clearer to me in that thirty-second preview.

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Trilogies are Essential (and Not Just For Profit)

Trilogies are Traps: Why Trilogies are Bad For Storytelling

Booktok: A Community of Readers Rekindling My Love For Literature

A Handbook For Best Sellers

Media's Depiction of the Novel: Do We Have A Choice?

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