by Erin Theresa Welsh
Publishing your own book is difficult. Actually, no, that doesn’t quite sum it up. Publishing your own book is stressful, time-consuming, and insanely difficult to achieve. Even if you get published, it is very unlikely you’ll become the next J.K. Rowling or Stephen King. Most average authors don’t make more than a regular mid-level salaried office position, and that's almost never off book sales alone.
If an author wants to get published, it takes a lot of hard work to achieve that finished, beautifully bound piece of work. Not only does an author need to write and complete a lengthy piece of work, but they then need to choose how to publish it.
by Alexis Zimmerman
There are countless books in Young Adult Literature where the main character must fall in love with the main love interest by the end of the book. These two characters fall in love in the most unrealistic of ways without even knowing each other that well and only having maybe a handful of conversations. Yet for some reason, young readers seem to devour those books. There are so many copies of this cliché and unrealistic type of book sold in the bookstores more often than not that it’s unbearable.
But does the love in these books happen naturally? Can someone fall in love as quickly as these characters fell in love? How do these instances of insta-love affect the younger readers who gravitate towards these particular books? Are they getting the impression that love happens right away, like it does in the books they’re reading?
by John Gross
Throughout time technology has changed how the writer crafts his novel. From pen and paper, to typewriters, to word processing—the tools of the trade are constantly evolving. In today’s world, the writer can craft a sentence and move it around to different places, supplementing paragraphs where he sees fit. This can be a powerful tool, that makes the revision process more fluid and dynamic. An author can be less committed to putting something on a page, where it can be easily reshaped, moved, and removed. While this technology has fundamentally changed how the novelist crafts his work, it hasn’t really changed how the reader consumes it. Sure, we are in a period of time that is showing the rise of e-readers and digital print, but ultimately the novel is being experienced in the same traditional way.
by Amanda Rennie
The world is dark, dismal, messy; there is a teenager who is, believably, old enough, clever enough, mature enough, independent enough to make life-altering decisions. 16 or 17 is a good age because then they can rebel against adults, not go to school, and have an intense and passionate relationship. This teenager isn't like all the other teenagers. This teenager can make a difference.
Yawn. It started with the vampire craze, but the publishers of young adult fiction have fully submersed themselves in Dystopia: everywhere and everything is terrible, and only one young person has the ability to change it and make the world a better place. Young adult authors, lots of them, have been churning out trilogies (ALWAYS trilogies) with the same stock characters and fabled ending for years now. And guess what? It's only becoming more generic.