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GLASSWORKS

Don't Stop Writing Fanfiction

12/1/2024

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by Bethaney Randazzo
“Stop writing fanfiction, and go get published.”
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I often wonder where I would be if a twenty-three-year-old me had listened to that creative writing professor. Would I currently be in a masters in writing program, while teaching first-year college writing, on my way to transforming some of nearly eighty stories I’ve written over the decade since that comment was made into publishable works? Probably not.
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via Canva

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Hey Hollywood, Publishing Is Actually Harder Than You Think

9/1/2024

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by Chloe Joy
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Photo by JESHOOTS.COM on Unsplash
One of my guilty pleasures is bad romance movies. Bonus points if they are Christmas-themed or feature a person from a big city forced to travel to a small town and fall in love with a local. If both tropes are used? Immediately my favorite movie of the year. I love them so much because they’re not meant to be taken seriously nor reflect our real lives, so I often let my suspension of disbelief hang. The main leads say “I love you” after knowing each other for a few days? Sure! One big speech at the end can wash away the trauma one character brought upon another? I’m eating it up!
However, nothing gets under my skin more than the inaccurate portrayals of the publishing industry in these movies. Many romance movies have a B plot that focuses around the publishing industry (because publishing and struggling writers are just so sexy), and they almost always end with a fairy tale dream success story. I’m tired of this dominant, false narrative prevailing through the media, making publishing look easy, because if you’re a writer or aspiring editor like me, you know it’s anything but easy.

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Who Can Write What?

8/1/2024

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by Eric Noon
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Image by nugroho dwi hartawan from Pixabay
One of the most common sayings for writers is to “write what you know.” Pulling from your own experiences and the things that you’re already familiar with are great ways to get the juices flowing and to fill in the gaps of otherwise tiresome or troubling writing in which we writers can often get bogged down. After all, it’s much easier to put a twist on a story you already know, or embellish something that’s happened to you--the bulk of the work is already done! The real question, and maybe where the advice needs to shift, is “what can we learn from the things we don’t already know?”
If all we’re to write about is our own experiences, then what room does that leave for us to learn, to empathize with, and to appreciate the stories of others? Writing about what we don’t know, the experiences we personally will never have to go through, could potentially help us to connect and build bridges with one another in ways we couldn’t see before. But as with any work of art, the court of public opinion holds a lot of sway in what is acceptable and what is not. I’m often left with the burning question of “Who can write what?

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Stop Sleeping on Fanfiction

12/1/2023

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by Cat Reed
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Photo by Laura Kapfer on Unsplash
Many of us are familiar with the fact that Fifty Shades of Grey began as fanfiction of the Twilight series. A few of us might have also been there for the controversy of Cassandra Clare’s Mortal Instruments series being called a fanfiction of Harry Potter. As discussed in “Publishing in the Age of Fanfiction” by Mikaela Langdon, Clare deleted her original fanfiction, “as if her fanfiction past is something she considers shameful.” Both of these book series (Fifty Shades and Mortal Instruments) were hugely successful, hot off the shelves, money-making ventures; so why all of the stigma, shame, and downplaying the validity of fanfiction?
Those were the roots that the newly created stories ventured forth from, but it would seem that instead of embracing that part of the history, authors would rather avoid the fanfiction they used to write as one would avoid a dog in desperate need of a bath.

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Are We in the Golden Age of Celebrity Memoirs?

8/1/2023

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by Courtney R. Hall

Celebrity memoirs and autobiographies are nothing new. They act as a fruitful branch of a celebrity’s branding arsenal and are a cash cow for publishers. Spanning decades, it’s been a commonly held belief that many, if not all, of these memoirs were written by an unnamed third party, a ghostwriter. These publications would be seen as a piece of PR material created for super fans, full of fluff like a celebrity's go-to salad that they would consume daily on the set of the television program that made them famous. However, there is a shift occurring in the world of celebrity memoirs and those with fame taking control of their own narrative. Some celebrities have raised the bar for what constitutes a great celebrity memoir in an era where social media blurs the distinction between privacy and publicity and shortens the gap between stardom and the unfamous. In a post #FreeBritney culture, the public is aware of how destructive and misleading both the paparazzi and media are towards celebrities, especially those that are women. Fans are tired of being spoon fed fluff. What they now crave is authenticity.


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