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by Skyla Everwine  Photo by Jo Szczepanska on Unsplash The most punk-rock thing I did this semester was stand in line at a UPS and try not to cry. It wasn’t the basement shows or broken guitar strings, but being at UPS at 4 p.m. on a Tuesday. I had but one task: to print nine pages, double-sided and in color. And then do that until 50 more times.
It was the fourth or fifth printer I had gone to in order to print the zine I was making. I had learned that commercial printers were hellish portals to untamable frustrations, and that making the project for my Self-Publishing course with Dr. Jason Luther was far more difficult than it needed to be. I had turned what could have been a single page mini-zine into 36 pages of digital and hand-collaged interviews.
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by Julianna Holshue  via Unsplash Ever since I can remember, I have always wanted to write, but never had the focus for a novel. I could write poetry, short stories, jokes, and rhymes, but my heart was never set on in-depth world-building, drawn out character development, or well-planned plot arcs. No, my mind thrives better when I create the transient, even the changeable, as I am prone to distraction and grow restless from dealing with the same pieces of a story for too long. This same approach applies to my illustrations, which I have recently taken up. I sketch what I write about, which includes anthropomorphized creatures, ill-proportioned characters, untamed fauna, and bubble lettered dialogue. My illustration style lends itself more to the pages of a choose-your-own-adventure book rather than the deliberate order of the adorned walls of an art gallery, which works for me, since I do not plan on making a living as a novelist or classically trained artist.
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