by Amanda Rennie
The world is dark, dismal, messy; there is a teenager who is, believably, old enough, clever enough, mature enough, independent enough to make life-altering decisions. 16 or 17 is a good age because then they can rebel against adults, not go to school, and have an intense and passionate relationship. This teenager isn't like all the other teenagers. This teenager can make a difference.
Yawn. It started with the vampire craze, but the publishers of young adult fiction have fully submersed themselves in Dystopia: everywhere and everything is terrible, and only one young person has the ability to change it and make the world a better place. Young adult authors, lots of them, have been churning out trilogies (ALWAYS trilogies) with the same stock characters and fabled ending for years now. And guess what? It's only becoming more generic.
by Kathryn Brining
In 2013, President Barack Obama championed initiatives encouraging women to pursue careers in STEM (science, technology, engineering, and math), fields where many feel women are underrepresented. Publishing and media is another arena where men seem to outnumber women, so it should come as no surprise that sexism seems to reign where these two interests meet: science fiction.
Both science and science fiction have long been considered masculine, male-dominated pursuits and the reluctance for some to embrace women working in technical fields may be closely linked to their exclusion when writing about the sciences. Though some might argue this is simply a case of genre, not gender, inequality, all too often, the aspiring female science fiction writer feels stranded in a hostile alien world.