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by Gianna Vanore
This moment—one adored by millions of readers—in The Hunger Games trilogy is crucial, not only for the plot, but also for us to fall for Katniss and Peeta, to truly want them together. This moment is when we realized the extent of Peeta’s love for Katniss. This moment, a staple of this series, occurs in Catching Fire, the second book of The Hunger Games trilogy. In Jordan Avery’s Op-Ed, “Trilogies Are Traps: Why Trilogies Are Bad For Storytelling,” she explains how trilogies have taken the literary market by storm, though she doesn’t see this as a good thing. Instead, she argues that the middle book (the “bridge” book, as she coins it) is unnecessary and stretches an otherwise good story too thin. She also claims that authors, instead of staying true to their craft, turn to the profit that comes from writing trilogies, even if it’s at the expense of their story. Upon reading this, I felt a moral obligation to be the Trilogy Defender, as there are numerous trilogies other than just the mainstream ones that successfully tell their story and require a trilogy to do it well.
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by BriAnna Sankey
by Allison D'Arienzo
by Chloe Joy
However, nothing gets under my skin more than the inaccurate portrayals of the publishing industry in these movies. Many romance movies have a B plot that focuses around the publishing industry (because publishing and struggling writers are just so sexy), and they almost always end with a fairy tale dream success story. I’m tired of this dominant, false narrative prevailing through the media, making publishing look easy, because if you’re a writer or aspiring editor like me, you know it’s anything but easy.
by Eric Noon
If all we’re to write about is our own experiences, then what room does that leave for us to learn, to empathize with, and to appreciate the stories of others? Writing about what we don’t know, the experiences we personally will never have to go through, could potentially help us to connect and build bridges with one another in ways we couldn’t see before. But as with any work of art, the court of public opinion holds a lot of sway in what is acceptable and what is not. I’m often left with the burning question of “Who can write what?
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