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by Janaye Roberts
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by Qwayonna Josephs
Looking back now, it’s crazy to think that my introduction to Black-led stories was a book with a Black man on the cover, holding a gun, a book that was distributed to schools from Scholastic and praised as honest portrayals of inner city kids. Yet, every one of those books I read came from the mind of Paul Langan, a white man who claims in an interview that his intention behind the idea was sparked by minority students wanting to see themselves in print. I’m sure that drew lots of students to the books, seeing someone who looked like them on the cover―it definitely drew me in―but, with maturity and clarity, I now understand the harmfulness of these stories and characters. While trying to show our “experiences,” the books highlight negative stereotypes, slap on a problematic cover, and end up in the hands of impressionable elementary, middle, and high school kids that are desperate to see themselves in a story.
by S. E. Roberts
by Ariana Tucker
Barnes and Noble is the worst offender of this. On their featured page of “Fiction: Black Voices,” only four were published between 2020 and 2021 (Colson Whitehead’s Harlem Shuffle is their featured book from 2021). The rest are classics by Nella Larsen, Zora Neale Hurston, and Ralph Ellison and books by authors like Chimamanda Ngozi Adichie and Sister Souljah, which were published in the 2000s and 2010s. Amazon at least offers a more up-to-date list of recently released books by month and recommendations from editors and Black icons like Billy Porter and Rick Ross. You can find almost any genre and any subject here, the only difference is that the authors are all BIPOC.
by Dominick Marconi
Everytime I see it I laugh. Everytime I think about it I laugh. I cannot speak as to why anybody else might find it funny, but to me, the comedy not only stems from the absurdity of the question's nature, but in its truth.
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