|
by Ellie Cameron
0 Comments
by Allison Padron For some, the words "literary fiction" brings up images of tweed jackets, learned academics, dinner conversations over wine, and personal libraries filled with only the finest of literature. The "literary" label is usually applied by critics to novels considered so intellectual, so linguistically beautiful, and so meaningful that they apparently need to be separated out from the mass-market, "mindless" genre novels. The debate about the distinctions between genre fiction and literary fiction still rages (as it likely will for many more years), with some classifying literary fiction as an entirely different genre, others as a continuum with genre fiction, and still others saying the "literary" quality is something that a novel of any genre can possess. From everything I’ve read on the subject, though, no one seems to have come up with a clear definition of literary fiction (other than "not genre fiction"), which begs the question: why call anything literary fiction at all?
by Ellie Cameron People like to laugh. We laugh at jokes on our phones, we laugh at characters in sitcoms, and we laugh with our friends telling stories to embarrass each other. I think it’s safe to say that the average person picks up some sense of comedic timing simply by consuming comedy.
So why do we feel that we can be funny, just not in writing? Is it lack of confidence? Is it lack of skill? Is it the lasting trauma of high school writing classes? Or is it a matter of context?
by Lesley George  Photo by Shelby Miller on Unsplash I’ll admit—I have spent hours skimming through fanfiction, picking the perfect tag to fit into the hyper-specific story I wanted to read: friends to lovers, fluff, slice of life, alternate universe (AU). There is something euphoric about being able to find a story so acutely tailored to my tastes; the only thing that could ruin the experience for me would be a misuse of a story tag [“Please use story tags correctly!” I cried]. Tropes and tags are a staple within the fandom realm and exist to satisfy the fans desire for curated content, made by other fans, involving their favorite characters. But can these markers exist outside fandom culture?
by Skyla Everwine  Photo by Jo Szczepanska on Unsplash The most punk-rock thing I did this semester was stand in line at a UPS and try not to cry. It wasn’t the basement shows or broken guitar strings, but being at UPS at 4 p.m. on a Tuesday. I had but one task: to print nine pages, double-sided and in color. And then do that until 50 more times.
It was the fourth or fifth printer I had gone to in order to print the zine I was making. I had learned that commercial printers were hellish portals to untamable frustrations, and that making the project for my Self-Publishing course with Dr. Jason Luther was far more difficult than it needed to be. I had turned what could have been a single page mini-zine into 36 pages of digital and hand-collaged interviews. |
Archives
December 2024
Categories
All
|
RSS Feed
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 [email protected] |
All Content on this Site (c) 2024 Glassworks
|