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GLASSWORKS

Burying a Buzzword: Is Anything Unprecedented?

2/1/2025

1 Comment

 
by Jamie M. Roes
Unprecedented means “unknown”: we have never done this before. We do not know how to do this thing and we do not know the level of success that lies before us. It is an intimidating word. Sometimes, we like this feeling of the unknown; it’s why mystery novels are so popular. Reading a mystery novel does not impact the larger areas of your life though. In 1927, writer H.P. Lovecraft stated, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest fear is the fear of the unknown.” This phrase was eventually reduced to “the fear of the unknown” and it is a fear caused by a lack of information and a low tolerance for uncertainty. Uncertainty does not allow us to predict an outcome, which means we can not make a future plan.

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Don't Stop Writing Fanfiction

12/1/2024

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by Bethaney Randazzo
“Stop writing fanfiction, and go get published.”
​
I often wonder where I would be if a twenty-three-year-old me had listened to that creative writing professor. Would I currently be in a masters in writing program, while teaching first-year college writing, on my way to transforming some of nearly eighty stories I’ve written over the decade since that comment was made into publishable works? Probably not.
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via Canva

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Who Can Write What?

8/1/2024

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by Eric Noon
Picture
Image by nugroho dwi hartawan from Pixabay
One of the most common sayings for writers is to “write what you know.” Pulling from your own experiences and the things that you’re already familiar with are great ways to get the juices flowing and to fill in the gaps of otherwise tiresome or troubling writing in which we writers can often get bogged down. After all, it’s much easier to put a twist on a story you already know, or embellish something that’s happened to you--the bulk of the work is already done! The real question, and maybe where the advice needs to shift, is “what can we learn from the things we don’t already know?”
If all we’re to write about is our own experiences, then what room does that leave for us to learn, to empathize with, and to appreciate the stories of others? Writing about what we don’t know, the experiences we personally will never have to go through, could potentially help us to connect and build bridges with one another in ways we couldn’t see before. But as with any work of art, the court of public opinion holds a lot of sway in what is acceptable and what is not. I’m often left with the burning question of “Who can write what?

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Queerbaiting: Victim or Villain?

6/1/2024

1 Comment

 
by Emily Langford
PicturePhoto by Sincerely Media on Unsplash
As a queer, “elder millennial” who watched as personal computers suddenly took root in our homes, I experienced the rise of online fandom firsthand. Prior to the internet, my experience with fandom was a solo one, I didn’t know anyone who had the same obsessive passion for stories and characters like I had. I was the annoying kid who would, unprompted, spew out tidbits and theories about books and movies, the weirdo who was off in her own little world where all her characters existed at my day-dreamy little whims. I was tolerated at best and I eventually learned to keep my fervor to myself. I remember the first time I entered the titles of my favorite obsessions into the search bar. Suddenly, I was very much not alone. Each of my hyperfixations had a dedicated chat room or message board with other people who understood, who shared my passions. I finally found a place of acceptance. ​


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The Myth of "Literary Fiction"

4/1/2024

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​by Allison Padron
For some, the words "literary fiction" brings up images of tweed jackets, learned academics, dinner conversations over wine, and personal libraries filled with only the finest of literature. The "literary" label is usually applied by critics to novels considered so intellectual, so linguistically beautiful, and so meaningful that they apparently need to be separated out from the mass-market, "mindless" genre novels. The debate about the distinctions between genre fiction and literary fiction still rages (as it likely will for many more years), with some classifying literary fiction as an entirely different genre, others as a continuum with genre fiction, and still others saying the "literary" quality is something that a novel of any genre can possess. From everything I’ve read on the subject, though, no one seems to have come up with a clear definition of literary fiction (other than "not genre fiction"), which begs the question: why call anything literary fiction at all? ​

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