by Sean Wolff
0 Comments
by Gianna Forgen When I was in elementary school, I read all the time. I vividly remember, during a snack break, I had become so entranced by my book that I had missed my teacher calling my table for our turn to use the bathroom. I remember, too, the look on her face, probably wondering if it was worse that I hadn’t listened, or worse to chastise me for reading. Back then, it felt like everyone loved to read. When we filled out posters at the beginning of the school year detailing our hobbies, two took precedence above all others: reading and writing. As students, we had to read, of course, but it seemed like everyone still enjoyed it, at least the kids in my class. In elementary school, a boy I was friends with and I read the entire Harry Potter series at the same time–he finished Deathly Hallows only fifteen minutes before me. He was one of the most voracious readers I knew. Amanda Smera Welsh
If you are a writer, especially a writer in the middle of a graduate program, you will undoubtedly encounter many craft materials through the course reinforcing the need to establish a discipline to your own writing. Sometimes, they can sound a little delusional, which was precisely my reaction when I read Robert Olen Butler’s “From Where You Dream.” It truly is the most overtold advice any writer has heard before: “You may not be ready to write yet, but when you’re in a project you must write every day. You cannot write just on weekends. You cannot write this week and not next week; you can’t wait for the summer to write. You can’t skip the summer and wait till the fall. You have to write every day. You cannot do it any other way. Have I said this strongly enough?” Yes you have, dude, now please shut up! by Lesley George I’ll admit—I have spent hours skimming through fanfiction, picking the perfect tag to fit into the hyper-specific story I wanted to read: friends to lovers, fluff, slice of life, alternate universe (AU). There is something euphoric about being able to find a story so acutely tailored to my tastes; the only thing that could ruin the experience for me would be a misuse of a story tag [“Please use story tags correctly!” I cried]. Tropes and tags are a staple within the fandom realm and exist to satisfy the fans desire for curated content, made by other fans, involving their favorite characters. But can these markers exist outside fandom culture? by Skyla Everwine The most punk-rock thing I did this semester was stand in line at a UPS and try not to cry. It wasn’t the basement shows or broken guitar strings, but being at UPS at 4 p.m. on a Tuesday. I had but one task: to print nine pages, double-sided and in color. And then do that until 50 more times. It was the fourth or fifth printer I had gone to in order to print the zine I was making. I had learned that commercial printers were hellish portals to untamable frustrations, and that making the project for my Self-Publishing course with Dr. Jason Luther was far more difficult than it needed to be. I had turned what could have been a single page mini-zine into 36 pages of digital and hand-collaged interviews. |
Archives
October 2024
Categories
All
|
Glassworks is a publication of Rowan University's Master of Arts in Writing 260 Victoria Street • Glassboro, New Jersey 08028 [email protected] |
All Content on this Site (c) 2024 Glassworks
|