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by Bryce Morris
Social media sites have opened the floodgates for users to produce reviews and begin discussions of their own. Most social media users are so keen to have followers and an artificial sense of community that they will not hesitate to share misguided content. This can range widely, including news footage, articles, celebrity gossip, political prospects, and even reviews directed at several forms of media. Quite literally anyone, myself included, can go out and create a review with their smartphones or computers now, which is a scary ability that is already harming the world of entertainment. Everyone has a right to their own opinion, but when that single opinion actually stands in as the opinion of several others, then it becomes an issue within the world of creative expression.
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by Angela Faustino
As an avid gamer, and someone who enjoys watching playthroughs of games, I often wonder: Why aren’t video games considered valid pieces of literature?
by Georgia I. Salvaryn
In Dina Folgia’s opinion editorial Why the Future of Writing is in Audio, she discusses the revolutionary addition of audiobooks and storytelling podcasts to the literary world and the growing popularity of this form of “reading.” She argues that readers will eventually turn to audio for better entertainment and for convenience (i.e., a reader can listen to their favorite actor read their memoir while driving to work.) Her conclusion:
by Christina Cullen
My father recently retired from a corporate job and started his own signage business. He is a master networker and can make personal connections in minutes, but for him the online realm is a new landscape. Despite being the first in our family to own a computer, smartphone, and tablet as well as the fact that Google Adwords, the world’s first “self-service advertising program” was launched in 2000, two decades passed before he realized these two tiny black letters at the top of a Google search are the abbreviation of advertisement.
by Dina Folgia
As I entered into my college experience and began to study writing as a possible career path, however, I was faced with a dilemma. After spending four years studying and dedicating myself to the craft, I began to grow complacent in the area of print media. It seemed like all my creative writing-based classes were teaching the same things, and that was based in creating publishable material and helping writers grow a thick enough skin to brave the cold, uncaring world of print writing. It wasn’t until I added on a media writing concentration and took several Radio, TV, and Film classes that I began to realize why I—and many of my peers—had grown so incredibly tired of print.
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