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by Amanda Smera  Not once in my life have I had to wonder what it is like to not know how to read or write. And I am guessing that, if you are reading this right now, neither have you.
But what if I told you that in some countries, reading and writing are not as reachable as they seem to be? That for some people, reading and writing is seen as a privilege and not as a common practice?
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 by Ariana Tucker
Go onto any major book-selling website and you’ll probably find a section dedicated to Black authors in the list of genres and subcategories. Amazon calls theirs “Amplify Black Voices” and lists it among other popular keywords like “Award Winners” and “Celebrity Picks.” Barnes and Noble calls theirs “Black Voices” and lists it among other browsing options such as “Large Print Books” and “Trend Shop.” Click on either link and you’ll see popular books written by Black authors, most of which are the same books we’ve been talking about for the last five years. Barnes and Noble is the worst offender of this. On their featured page of “Fiction: Black Voices,” only four were published between 2020 and 2021 (Colson Whitehead’s Harlem Shuffle is their featured book from 2021). The rest are classics by Nella Larsen, Zora Neale Hurston, and Ralph Ellison and books by authors like Chimamanda Ngozi Adichie and Sister Souljah, which were published in the 2000s and 2010s. Amazon at least offers a more up-to-date list of recently released books by month and recommendations from editors and Black icons like Billy Porter and Rick Ross. You can find almost any genre and any subject here, the only difference is that the authors are all BIPOC.  by John Castle
I remember being eighteen and sitting in my therapist’s office one summer day. I sat in the center of his large couch with my hands folded as he read to me from an old beaten up spiral notebook with several tears, stains, and scribbles that decorated it’s pages. Each page described a fear, a confession, a hatred, a sense of sorrow, all with a tone of dread and hopelessness. I was taken aback by what I was hearing, and a part of me questioned whether the author was being a bit dramatic. It was astonishing to hear the amount of pain the writer of this journal had been in. The only thing though was, this was my journal. I was the one who had filled these pages. All of these fears and frustrations were mine, and I had spent a good portion of my summer that year documenting them in that very notebook. Except, at that moment it was as if these feelings didn’t belong to me at all. by Angela Faustino  As someone who has dedicated her life to studying writing, I think a lot about what makes literature effective. There are the essentials of course, the rising and falling actions, a solid plot, conflict, a climax, and an end all resolution that concludes the story. I feel the most important thing that a story can give is a sense of other worldliness. When a piece is that good, it harnesses all of these elements, and leaves the reader with a sense of awe after its resolution.
As an avid gamer, and someone who enjoys watching playthroughs of games, I often wonder: Why aren’t video games considered valid pieces of literature? by Marissa Stanko  Photo by C D-X via Unsplash Trying to find your identity as a writer is nerve-wracking. There’s pressure on all sides to do certain things or be a certain way or write at certain times and so on and so on. It took me a long time to feel like I was a writer, and even now I struggle with feeling like I don’t write “the right way.” One of the things I always felt forced to justify as a writer, even to myself, is that I like to listen to music while I write, and it isn’t instrumental. Studies, blog posts, and articles galore tell me that I shouldn’t listen to music while I write, or that if I do, it should be classical, instrumental, or a playlist designed to fit the piece I’m working on. Lyrics distract from writing, they say. Music puts your focus somewhere else. And I know for many people, that must be true.
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